Sinopsis(1)
By shooting and enlarging the surface of objects, Antonioni s film character – Thomas, the photographer, – attempted more than a half century ago to discover what was hidden beneath them. Magnification revealed some secrets but at the same time it made things even more unclear. Analogue magnification with its characteristic grain noise was replaced by digital macro lenses with geometric computer pixels. Such is the landscape of Martin Zlievsky which, in the eyes of the viewer, flows like an electronic binary river or rain, and rotates and changes into mysterious geometric shapes. (MFFK Febiofest)
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