Kaka

A twisted finale that tries to wring the epicness of a blockbuster movie out of a series concept. And for the most part it succeeds.

The tricky twists and turns among the group of main villains affect everyone in Hell’s Kitchen. A very good scene with Karen, which sort of redeems her reputation as an annoying uptight bird that should have been taken down halfway through the first series.

With the exception of the last couple of minutes, nothing that would warrant watching again. Some of the characters are interesting (Fisk, Ben, Foggy), others are annoying (Karen).

The weakest episode so far. Not much happens, we're taken back through flashbacks to the nerdy days of Matt’s college days, and this time Foggy goes a bit over the top within the current events, his emotional struggle with his estrangement from the main character is there for a story-twist rather than the real foundations of a dense narrative.

A little too wild and exotic and sprawling for the pragmatic and, in comics, unusually realistic universe of a hero who gets punched in the mouth every few moments. Even so, there are a few key points worth seeing. Basically, they are two important fights.

Fantasy. The best episode so far and the only one that is dramatic enough, clever enough and topical enough to get a full rating. Impeccable craftsmanship, with a compelling finale and of course flashbacks, this time of the other hero, to be fair to both poles.

An episode full of flashbacks of one of the main characters, with a complement in the form of Scott Glenn, who for the first time in a very long time plays a character that is not easily forgotten. Decent master-pupil chemistry – the retro is better than the present.

A heavy romp in the form of a slightly deranged mix of comedy, wild action, unbalanced effects and overkill from the 1990s. The attempt at a supercool action flick largely backfires due to a story pulled out of thin air and a lot of annoying clichés. What worked for Harlin in the focused and straightforward Cliffhanger and Geena Davis in the sprawling and fabulous Cutthroat Island doesn't come together here.

An episode full of rage, darkness and gunfire, or the cool attributes from the good comics we like so much. In addition, for the first time the clash of two anti-heroes turned out deliciously, with Vladimir coming out on top this time.

A parody of John Wick's Assassin world with cunt buster Scott Adkins and the unknown Amy Johnston, whom we need to see in more action movies. Otherwise there is too much talking and the action itself is woefully poorly scored, and the sure bet in the form of Michael Jai White didn’t pay off this time. He looks bored and his, and almost all the other action passages look unfinished and sloppy.