Heinz Emigholz
nació 22.01.1948
(76 años)
Achim, Lower Saxony, Německo
Biografía
Member of the Academy of Arts in Berlin, he was trained as a draftsman before studying philosophy and literature. He began making films in 1973 and since then his career has focused on the relationship between cinema and other arts such as photography and architecture. He has directed, for instance, Loos Ornamental (2008).
El Riviera Maya Film Festival
Actor
| Películas | |
|---|---|
| 1993 |
Stalingrado |
| 1984 |
Committed |
Die Basis des Make-Up |
|
| 1982 |
Macumba |
Normalsatz |
|
| Documental | |
|---|---|
| 2022 |
Slaughterhouses of Modernity |
| 1988 |
Die Wiese der Sachen |
| Cortometraje | |
|---|---|
| 1983 |
Böse zu sein ist auch ein Beweis von Gefühl |
| 1979 |
Execution: A Story of Mary |
Director
| Películas | |
|---|---|
| 2020 |
The Last City |
The Lobby |
|
| 2017 |
Streetscapes |
| 1991 |
Der zynische Körper |
| 1984 |
Die Basis des Make-Up |
| 1982 |
Normalsatz |
| Cortometraje | |
|---|---|
| 2014 |
Le Corbusier [IIIII] Asger Jorn [Relief] |
| 2001 |
Maillarts Brücken |
| 1983 |
The Basis of Make-Up I |
| 1977 |
Demon |
| 1976 |
Hotel |
Schuhstück |
|
Tassenstück |
|
Wandsbek Gartenstück |
|
| 1975 |
Brooklyn Bathroom Piece |
Stair Piece |
|
| 1974 |
Arrowplane |
Schenec-Tady III |
|
Tide |
|
| 1973 |
Schenec-Tady II |
| 1972 |
Schenec-Tady I |
Guionista
| Películas | |
|---|---|
| 2020 |
The Last City |
The Lobby |
|
| 2017 |
Streetscapes |
| 1991 |
Der zynische Körper |
| 1984 |
Die Basis des Make-Up |
| 1982 |
Normalsatz |
| Cortometraje | |
|---|---|
| 1983 |
The Basis of Make-Up I |
| 1977 |
Demon |
Cinefotógrafo
| Películas | |
|---|---|
| 2020 |
The Last City |
The Lobby |
|
| 2017 |
Streetscapes |
| 1991 |
Der zynische Körper |
| Documental | |
|---|---|
| 2022 |
Mamani in El Alto |
Salamone, Pampa |
|
Slaughterhouses of Modernity |
|
| 2019 |
Years of Construction |
| 2018 |
Zwei Basiliken |
| 2017 |
2+2=22 (The Alphabet) |
Bickels [Socialism] |
|
Dieste [Uruguay] |
|
| 2012 |
Perret en Francia y Argelia |
| 2008 |
Loos Ornamental |
| 2007 |
Schindlers Häuser |
| 2001 |
Miscellanea II |
| 1988 |
Die Wiese der Sachen |
| Cortometraje | |
|---|---|
| 1977 |
Demon |
Montador
| Películas | |
|---|---|
| 2020 |
The Last City |
The Lobby |
|
| 2017 |
Streetscapes |
| Documental | |
|---|---|
| 2022 |
Mamani in El Alto |
Salamone, Pampa |
|
Slaughterhouses of Modernity |
|
| 2019 |
Years of Construction |
| 2018 |
Zwei Basiliken |
| 2017 |
2+2=22 (The Alphabet) |
Bickels [Socialism] |
|
Dieste [Uruguay] |
|
| 2012 |
Perret en Francia y Argelia |
| 2008 |
Loos Ornamental |
| 2007 |
Schindlers Häuser |
| 2001 |
Miscellanea II |
| 1988 |
Die Wiese der Sachen |
Productor
| Documental | |
|---|---|
| 2019 |
Years of Construction |
| 2018 |
Zwei Basiliken |
| Cortometraje | |
|---|---|
| 1977 |
Demon |