Biografía
Mike Hoolboom (1959), a leading figure of Canadian experimental film, uses primarily stolen footage for his films, which, for the most part, are personal and essayist in nature. The Jihlava IDFF presented an extensive retrospective of his work in 2003.
MFDF Ji.hlava
Director
| Películas | |
|---|---|
| 2004 |
Public Lighting |
| 2003 |
Imitations of Life |
| 1995 |
House of Pain |
| 1994 |
Valentine's Day |
| 1993 |
Kanada |
| 1990 |
Two |
| 1989 |
Was |
| 1988 |
Svetlana |
| 1982 |
Now, Yours |
| 1980 |
Song for a Mixed Choir |
| Documental | |
|---|---|
| 2022 |
Freedom from Everything |
How to Watch Pornography |
|
New York State of Mind |
|
| 2020 |
Judy vs. Capitalism |
TOUCH Memory (VIETNAM) |
|
| 2019 |
27 thoughts about my father |
| 2018 |
Aftermath |
| 2016 |
We Make Couples |
| 2015 |
Scrapbook |
| 2012 |
Lacan Palestine |
| 2010 |
Mark |
| 2006 |
Fascination |
| 2003 |
In the Dark |
| 2002 |
Tom |
| 1998 |
Panic Bodies |
| Cortometraje | |
|---|---|
| 2023 |
Wind |
| 2021 |
Model Citizens |
| 2020 |
Zen Basketball |
| 2018 |
3 Dreams of Horses |
Lions |
|
The Bed and the Street |
|
| 2017 |
Ghost |
Identification |
|
Spectator |
|
| 2013 |
Buffalo Death Mask |
| 2003 |
The Invisible Man |
| 2001 |
In the City |
| 2000 |
Damaged |
| 1999 |
Hey Madonna |
| 1998 |
In My Car |
In the Future |
|
Passing On |
|
| 1996 |
Carnival 3 |
Dear Madonna |
|
Letters from Home |
|
Manhunt |
|
Moucle's Island |
|
Shooting Blanks |
|
Sorrow |
|
| 1994 |
Frank's Cock |
| 1993 |
One Plus One |
| 1992 |
Careful Breaking |
Not Mexico |
|
| 1991 |
Red Shift |
| 1989 |
Brand |
| 1986 |
White Museum |
| 1984 |
The Big Show |
Productor
| Documental | |
|---|---|
| 2022 |
Freedom from Everything |
How to Watch Pornography |
|
New York State of Mind |
|
| 2020 |
Judy vs. Capitalism |
TOUCH Memory (VIETNAM) |
|
| 2019 |
27 thoughts about my father |
| 2018 |
Aftermath |
| 2006 |
Fascination |
| Cortometraje | |
|---|---|
| 2023 |
Wind |
| 2021 |
Model Citizens |
| 2018 |
3 Dreams of Horses |
Lions |
|
The Bed and the Street |
|
| 2017 |
Ghost |
Identification |
|
Spectator |
|
| 1998 |
In My Car |
| 1996 |
Letters from Home |
Guionista
| Documental | |
|---|---|
| 2022 |
Freedom from Everything |
| 2019 |
27 thoughts about my father |
| 2006 |
Fascination |
| 2003 |
In the Dark |
| Cortometraje | |
|---|---|
| 2018 |
3 Dreams of Horses |
| 2013 |
Buffalo Death Mask |
Montador
| Documental | |
|---|---|
| 2022 |
Freedom from Everything |
| 2020 |
Judy vs. Capitalism |
| 2019 |
27 thoughts about my father |
| 2018 |
Aftermath |
| Cortometraje | |
|---|---|
| 2018 |
3 Dreams of Horses |
Lions |
|
| 2017 |
Identification |
| 2013 |
Buffalo Death Mask |
| 1998 |
In My Car |
| 1996 |
Letters from Home |
Actor
| Películas | |
|---|---|
| 1993 |
Kanada |
| Documental | |
|---|---|
| 2016 |
Land of Not Knowing |
| 2009 |
All Fall Down |
| Cortometraje | |
|---|---|
| 2013 |
Buffalo Death Mask |
| 1997 |
Pensão Globo |
| 1994 |
Sternenschauer |
Sternenschauer - Scattering Stars |
|
Cinefotógrafo
| Documental | |
|---|---|
| 2020 |
Judy vs. Capitalism |
| 2019 |
27 thoughts about my father |
| Cortometraje | |
|---|---|
| 2017 |
Ghost |
Identification |
|
Spectator |
|
| 1996 |
Letters from Home |
| 1994 |
Sternenschauer - Scattering Stars |
Técnico de sonido
| Cortometraje | |
|---|---|
| 2018 |
The Bed and the Street |