Reseñas (1)
Everything in Sharits' films is as we are accustomed to: objects, stories, emotions, and ideals. They are just not visible - they are dissolved in their essence, which inevitably manifests itself every time they enter the film medium. In the abstraction of absolute form, they become diction, the rhythm of the structure of basic materials from which reality is created - colors, lights, shadows, and vibrations of sound. Some already sense it - it is precisely the vibration of the image in which those things dissolve. Hence Sharits' emphasis on punctuation, separating (and connecting) letters in the title of his films: T,O,U,C,H,I,N,G; N:O:T:H:I:N:G. This film is also an example of how we can watch with our own tired eyes a human face taking on form and disappearing into it.
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