Ie uru onna

It starts off fairly brisk, fun, and light. Basically, no complex relationships are dealt with and there are no emotionally charged speeches. The robotic Keiko was fine, but you just can't watch her unchanging face for ten episodes; you want that change, and when it comes for a while it feels like a caress. Unfortunately, just past the halfway point it runs out of breath and stops being as entertaining as it was at the beginning. Some of the characters seem frozen in time, some seem to have moved on a bit. But I'd say this isn't a series that wants to showcase character development, more just to give the viewer a break. And that's what it did. It's just a show about a woman who can't use her mime muscles, but can sell any house. (17.01.2017)