Borrtex

After a long time, finally a good film project from the contemporary war environment. The story is very strong in its depth and relevance. It is almost frightening to imagine what the local interpreters working for the U.S. had to go through after 2021. The film is packed with action, tension and very well developed emotional bonds. Both Jake Gyllenhall and Dar Salim are a great fit for these roles. Recommended.

Matt Walsh is simply brilliant with his ease, education, thematic accuracy and humor. The content, however, is more than overwhelming in its seriousness. How much further is our modern civilization capable of going? Have we completely forgotten ordinary life and simple common sense? How did we ever get from an innocent discussion on the rights of homosexual couples to surgeries on physically underdeveloped and mentally immature teenage children who make irreversible, life-threatening decisions on the advice of politically correct doctors?

An uninspiring and socially stupid narrative that offers no story development. The value, or perhaps the significance, of the actions of the main characters, whose primary goal is a dull infatuation with nowadays respected and superficial wannabe celebrity idols, is not worth mentioning.

Too bad. Emmerich seems to be slowly but surely degrading since his successful career peak in 2004. The Day After Tomorrow was appealing and very likeable in its authenticity. Here, however, there is perhaps no question of any potential realism. Visually mediocre and plot-wise just plain moronic.

A natural and all-around inspiring creative walk down the road to the American Dream. A story originally centered more on the period backdrop of the 1970s and the typically simple yet heart-filling lifestyle of one simple American family. There is power in simplicity. Hold doors, be good to your mother, have some stashies in your wallet, and own a fucking car.

"You know, even when it rains, the sun shines. The sun shines on good and bad." Malick's growth as a director is unparalleled. Visually beautiful, sonically picturesque and emotive, more than overwhelming in thought and story.

A well-deserved modern take on one of the most iconic adventure stories. Quality direction and relatively decent blockbuster visuals. But it lacked a certain amount of originality, and the film easily gets lost in the pile of other, similarly directed film adaptations.

Very narrowly focused narrative, concentrating on details and gradually building up the image of the main characters of the story. Interestingly presented, very good sound design and direction. On the other hand, I felt a strong lack of scenic variety and general diversity. The sequence of events was predictable as time went on, and despite the original perspective, the film didn't offer anything all that surprising.

A unique glimpse into the world of a major musical innovator who, throughout her career, chose to take a path of unconventional approach, exploration and sonic experimentation. Despite being largely unappreciated in her youth, when her work was widely rejected in the 1970s because global record companies had no idea what a synthesizer was, Suzanne was not discouraged and continued to follow her own directions, which naturally defined her signature style. She was one of the few to push the boundaries of electronic music to the current level. An inspiring story in a perfect cinematic treatment.

Nils Frahm is a modern-day musical genius whose work captivates not only with his distinctive handwriting and incredible genre diversity, but also with his impeccable and flawless live performance. I'm delighted that this range of exceptional skills has been captured here so accurately and appropriately. The cinematography and editing complement each other in perfect harmony. The final mix must also be highlighted, Zino Mikorey and his luxurious mastering sounds absolutely sensational on large speakers! A real treat.