MrHlad

A romantic comedy with not too many jokes and certainly not a classic romance. It's uncomfortably real at times. But brilliant!

From Kevin Smith to his fans. That's all you can say, because if you're not a fan, you won't like it. And this wasn't made for people who aren't fans.

The second best comic book adaptation (after The Crow). Great cast and characters, interesting script, very good visual effects and above all an interesting idea, something you won't find in most comic book movies today.

Excellent thriller. Suspenseful and chilling from beginning to end. Ian McKellen is great and so is Brad Renfro. It won't let you go until you finish it.

The best crime film of all time, mainly thanks to the performances, the perfect script and the even more perfect ending. Once you finish watching it, you have to watch it again. And then again and again. And it still won't be enough....

A more than a decent B-movie with a tough Kurt Russell. Solid entertainment. Now a classic, but not necessarily to everyone's taste.

Great horror movie. It's not as scary as it once was, but it still leaves most of its followers biting the dust thanks to its atmosphere. They say that you are most afraid of what you can't see, but when you see a killer whose emotions are unrecognizable due to his masked face, it may have an even greater effect. And you'll be whistling the musical theme long after you've finished the film...

In a word, perfect. The first philosophical action film. Flawless action, bloody good humour, absolutely perfect music, perfect acting, brilliant cinematography and above all a very interesting idea. Had this film been released in cinemas, it would have shaken the world.

To be honest, I have to say that I got exactly what I expected. And while I wasn't looking for a miracle, I definitely intended to enjoy a smart, good-looking sci-fi adventure at the cinema, and that's what Wes Ball delivered. This is the first installment of a new planned trilogy, so a lot of time is spent on world building (which has changed quite a bit from the last film) and introducing the main characters. And just the first scene with them is enough to blow you away, because Kingdom of the Planet of the Apes looks gorgeous, and Ball also makes great use of the attractive setting of the ruined cities that nature is taking back. But that's just the beginning. What's most interesting about Ball's new release is the ape society itself, hinting at the ways and directions in which the new civilization and each ape community is evolving. Noah is also quite a likable hero, different from Caesar and to some extent a bit more ordinary and with simpler motivations, but he serves well as a guide in the journey through a world we actually have to rediscover, as does his human partner Freya Allan, with whom it's unclear for a long time how they will work with her. The only problem is that because of the long exposition and introduction of the world, there is not much time for the plot itself, which is a bit rushed in the last third. The ambiguous villain could have done more interesting things with a better script, and the moral issues facing some of the heroes deserve more space, but again, I understand that you can't cram everything into two and a half hours. What Ball has crammed in is amply sufficient for a satisfying sci-fi adventure that can easily stand alongside the previous installments. And I hope he gets a chance to continue telling his story

Stuntman Ryan Gosling must find a lost movie star in order to save the film of his beloved Emily Blunt. And for her, he'll go through hell. David Leitch delivers an entertaining tribute to the stunt craft and all those who practice it. He combines great action with surprisingly even better romance, a nice bit of wit and humor, and the obvious joy of goofing around on set with the friends he's spent his entire career with. And it's great to watch.