Люксембург, Люксембург
Sinopsis(1)
Ukrainian twin brothers embark on a journey to see their estranged father one last time after learning the old man is dying far away in Luxembourg. (Netflix)
Videos (1)
Reseñas (2)
Una película sobre dos hermanos entecos, cuyas vidas se ven afectadas por varios eventos, incluida la lesión grave no intencional de una anciana y la hospitalización de su padre moribundo en algún lugar del lejano Luxemburgo. El tono de la película salta indeterminadamente entre el drama social serio y la comedia rica en escenas y diálogos llenos de humor negro. Igualmente desenfocada es la narración de la historia, que inicia pequeñas tramas y luego las abandona, aparentemente sin rumbo claro hacia nada. Al final, sin embargo, se realiza el viaje de los dos hermanos a Luxemburgo y llegan algunos giros satisfactoriamente integrados, de modo que la película, además del humor verbal, también se redime con una serie de momentos fatales llenos de ironía de la vida.
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Just as Antonio Lukich dealt with his relationship with his mother in his previous film, this time he comes to terms with his father. Despite the personal elements, however, this is not an autobiographical treatise, but rather a universal tragicomic, absurdist road movie in which the preparation for the journey plays a more essential role than the journey itself. It may seem that the whole narrative is disjointed and incoherent, but where some see incoherence, others see the bitter absurdity of everyday life, full of burdens placed on them from above in the manner of Job and by those around them in the manner of Kafka, but also by themselves due to their own stupidity and self-centredness. Lukich shows all of the above as tragedy and comedy in equal measure. The specific peripeteias not only tell the story of the twins, but also illustrate the paradoxes of Eastern European history in general terms, not only the major historical paradoxes, but primarily the minor personal ones. As a result, Lukich’s coming to terms with the myth of his own father mirrors the whole region’s need to face its own past – not necessarily to get all of the answers from it, but simply to confront it, because only then is it possible to finally move on.
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