Director:
Věra ChytilováCámara:
Martin ŠtrbaReparto:
Jana Janěková, Jana Krausová, Bolek Polívka, David Kraus, Igor Bareš, Martin Hofmann, Jiří Ornest, Kateřina Irmanovová, Barbora Hrzánová, Emma Černá (más)Sinopsis(1)
Hana is a psychologist – an independent woman, one could say emancipated; her husband is unemployed – jealous of his wife – he finds a younger girlfriend who admires him; their teen-age son Honzík is frustrated – nobody spends time with him. Eva is Hana’s client – a successful, attractive, and well-groomed middle-aged woman having problems with her 25-year-old son – she falls head over heels in love with her son’s friend – her son is offended by his mother’s behavior – but even he finally falls in love with the much older Hana – which, in turn, disgusts Hana’s son. Another patient of Hana, millionaire Dub, looks very much like Bolek Polívka – suffers from depression because he can have anything he wants but is bored with it all – he longs for Hana – she rejects him – and on and on… There are many more characters in our story – young and old, poor and rich – visiting Hana’s clinic, they churn out their problems. The film should evoke a feeling of a kaleidoscope of various comical, tragic, and even banal fragments of human existence. (texto oficial de la distribuidora)
(más)Reseñas (1)
The script seemed rather lame, the dialogue was downright weird, and the humor reached its peak when Polívka said he looked like Polívka. If there’s any takeaway for me, it was the discovery that the work of a psychologist is much more dangerous than the work of a pyrotechnician, and the only thing I could appreciate was watching a person with a messed-up life and mind give other people advice on how to live to feel good.
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