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inglés In the first place, it should be noted that only a fragment has survived, and it received archival "care" in 1955. The added music is not suitable, the editing track has obviously been affected, etc. It is therefore impossible to observe and evaluate as if the work were only from an older date. I understand that today's students have no relation to Němcová adaptations, but too much is too much. The second problem is the context of the introduction of such a fragment. If we put it into context and watch the aforementioned transformations of adaptations of the great Czech writer, there would be a lot to talk about. Similarly, it would be an interesting moment to distinguish the absence of prominent stars, export possibilities, etc. This leaves us with only uncomprehending eyes looking at another routine performance by L. H. Struna (and that’s in the better case). ()