Prométeme

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Tsane vive con su abuelo y su vaca, Cvetka, en la remota cima de una montaña. Exceptuando a su vecina, la profesora, ellos son los únicos habitantes del pueblo. Un día, el abuelo de Tsane le dice al chico que se está muriendo, y le hace prometer que irá al otro lado de las tres montañas, a la ciudad más próxima, y venderá su vaca en el mercado. Con el dinero tendrá que comprar un icono religioso, después algo que él realmente quiera y, finalmente, deberá encontrar una esposa para traer a casa. (Baditri)

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inglés Kusturica rides on the rails that he had already laid out in his previous films, such as Black Cat, White Cat, or Hungry Heart, meaning it is a highly stylized Balkan slapstick, underpinned with emotional musical rhythms and filled with a bunch of eccentric characters, who are not really from our world but are highly entertaining. Indeed, Promise Me This doesn't reach the quality of the cult film Black Cat, White Cat, as its screenplay starts off a bit slow, and especially with such a large number of characters, scenes, and motifs, some may seem too outrageous, unsympathetic or dysfunctional. Similarly, these motifs are no longer original from Kusturica, but if we were to criticize Woody Allen for his plethora of neurotic intellectuals, then his filmography would greatly thin out and compared to Woody, Kusturica still holds back a lot in terms of the quantity of his productions. On the other hand, the film is still highly entertaining for me, and unlike a lot of pretentious pseudo-intellectual boredom that characterizes a substantial part of festival films, this one is functional. Moreover, I don't know how Kusturica does it, but his completely improbable love constellations between very incompatible partners really affect me. I don't know where he finds these likable women, but just like Hungry Heart, I was rooting for Tsane the whole time, hoping his romance would work out. Overall impression: 90%. ()