Director:
Zdeněk Podskalský st.Guión:
Karel MichalCámara:
František ValertMúsica:
Evžen IllínReparto:
Vlastimil Brodský, Rudolf Hrušínský, Miloš Kopecký, Irena Kačírková, Jiřina Bohdalová, Josef Bek, Čestmír Řanda st., Václav Voska, Vlasta Chramostová (más)Sinopsis(1)
A popular satirical comedy that was banned after 1968 due to its sharp-tongued social critique. The story of the miracle-performing castle ghost conveys humorous comments on the absurdities of life in a Communist country ruled by bureaucracy. (Summer Film School)
Reseñas (3)
It's almost unbelievable that something like this could have originated during the time of communism, but it's clear that the 60s were still a bit freer. Or perhaps someone forgot to censor the film. Incredibly funny, which unfortunately stems from the fact that such a time existed. Nevertheless, it's an excellent satire that we can still laugh at today. And I hope we realize that we no longer want this chaos. The final scene with the bridge is absolutely brilliant, there's nothing more to add to it.
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"Long live Comrade President" - "But it's not true." - "He knows that, but what can that mean? ... Long live Comrade President!" Communist morality in a nutshell and with insight that isn’t awkward. Not too many of these actually came into existence.
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We're entering a new phase of history here, and you're going to be messing around with ghosts... If it were up to me, I'd uproot it. The idea is not bad and some of the gags are humorous, but otherwise, it's as problematic as the film Who Wants to Kill Jessie? set in the Czechoslovak present next year. In a cinema where there is no serious White Lady-themed film, it is a mistake to follow the opposite end of such duds as The Woman in White is Lost (1937).
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