Sinopsis(1)
A playful film essay about our automobile-automatic society. A film crossing the border of its media, turning into a social act. Martin Mareček: “I lived in downtown Prague, in the ‘heart of Europe.’ In Prague, ‘the mother of cities,’ as well as ‘the city of cars’... according to statistics, one of the most handicapped cities in Europe. Six years ago, I met my neighbor in the hallway. He was moving: ‘Well, we’re off, we can’t take this anymore.’ I replied: ‘Yeah, I understand, it’s the cars, isn’t it? That noise, that smell…’ The neighbor smiled, puzzled: ‘Not really, it’s more that there’s nowhere to park.’ Is that story absurd? Is that neighbor autistic? No. I think that most of us city folks are this automatic… We’re all in it… Automatically we swear, automatically we drive. Slowly but surely, our game ends with our own auto-mate. Can anything be done about that? I realized that to make a film is not enough. It will only turn into another short essay automatically saying the well-known, addressing the usual receivers. Another submission into the Intellectual Aquarium. Therefore, I’d slowly turn from a film director into a civilian activist, an artistic radical, a political lobbyist. A multi-layered organism, Auto*Mate, was conceived.” (texto oficial de la distribuidora)
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Reseñas (1)
A quality Moore-like film which tames a certain degree of its own demagoguery with foresight and self-irony. Its stubbornness and radicalism is not a bad thing at all, especially when one considers the cruel distortion of the state apparatus – the populism of Pavel Bém and the technocratic blabbering of Mirek Topolánek, etc. The traffic situation in Prague deserves a similar constructive provocation, and if you prefer a bike to a car, you will like Auto*mate.
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Galería (12)
Foto © Aerofilms
