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Don (Anthony Quinn), el líder de una reputada mafia, ha fallecido. Su hijo espera adjudicarse el territorio, pero se desata una guerra de bandas para definir quién tomará el control.
Adaptación de la novela de Marvin H. Albert. (Filmin)

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D.Moore 

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inglés An obvious answer to year-older The Godfather, especially at the end, when the mobsters shoot each other (an excellent scene, the highlight of the film), cut each other’s throats in barber's chairs and load bodies into barrels and otherwise disposed of them in a successful manner. That's also when The Don Is Dead finally picks up the pace. Until then, it is a very, very, very slow film, in which something happens, but it cannot be said that the "something" is worth anything. Anthony Quinn, however, does not disappoint, nor does Jerry Goldsmith's music. ()

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