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Sinopsis(1)

Jim Grant (Robert Redford) es un abogado especializado en derechos civiles y un padre soltero que vive en la tranquilidad de los suburbios de Albany (Nueva York) con su hija. Su vida da un giro radical cuando un joven periodista llamado Ben Shepard (Shia LaBeouf) desvela su verdadera identidad como un antiguo radical antibelicista de los 70 y su condición de fugitivo buscado por asesinato. Después de vivir discretamente como abogado durante más de 30 años, Grant se verá obligado a darse a la fuga. Es el objetivo de una caza humana a escala nacional; con el FBI pisándole los talones, se embarca en un viaje a lo largo del país para dar con la persona que puede limpiar su nombre. Shepard es consciente del peso que tiene la noticia nacional que ha expuesto y de que es una oportunidad única en la vida para un periodista. Empeñado en crearse una reputación, está dispuesto a todo para sacar el máximo provecho de todo ello. Investiga el pasado de Grant y, a pesar de los avisos de su editor y de las amenazas que recibe del FBI, Shepard persigue incesantemente a Grant por todo el país. A la vez que Grant vuelve a abrir viejas heridas y a conectar con antiguos miembros de su grupo antibelicista, the Weather Underground, Shepard descubre los sorprendentes secretos que Grant ha estado ocultando a lo largo de las tres últimas décadas. Según Grant y Shepard se van acercando a su enfrentamiento final, ambos tendrán que asumir quienes son realmente. (Tripictures)

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Reseñas (4)

Malarkey 

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inglés Robert Redford meant well in this movie. It is a pity, however, that there is no suspense in the movie and the only thing keeping it afloat are the acting performances. There is a great lot of actors – Shia LaBeouf, Robert Redford, Susan Sarandon, Nick Nolte, Brendan Gleeson and my favorite Anna Kendrick. Still, I have to admit that some of the scenes were quite interesting, but they did not fit in with the otherwise mediocre thriller focused on secret agents whose length is comparable with a two-hour wait for a stamp at a random South African office. ()

3DD!3 

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inglés A sort of light-weight spy classic that doesn’t really require a review. Redford’s wrinkles have drained some of his stamina, but improved his directing skills. It’s just a shame that he doesn’t make better use of the radical background to do a bit of politics, rather than just a catalyst for family problems. But it’s fine when Shia talks with Redford. ()

kaylin 

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inglés Currently, when films like "30 Minutes After Midnight" or "Argo" are being created, "Rules of Silence" are still a simpler work that won't impress as much. It wants to show us how deep different intrigues can go, how one event can influence the lives of others, but it's just too simple, too kind. If Redford had toughened up, it could have been a more interesting hunt for one man, but this way it's just a political thriller that doesn't fully meet today's needs. Although independent, still very Hollywood. More: http://www.filmovy-denik.cz/2013/05/pravidla-mlceni-2012-50.html ()

Remedy 

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inglés A journalistic obsession with the "scoop", ancient sins of the past, and a noble parental motive at the forefront of it all, which is the key and perhaps a seeming panacea. The film also operates well on the level of the clash of the generations, where LaBeouf's character can learn something "about life" from Redford's, and indeed vice versa. As a result, it's much more of a sort of slightly meditative crime drama that isn't thriller-esque and contains essentially no action scenes. Except that Robert Redford pulls it all off and has a cast of actors for whom, with one exception, I have almost boundless respect. [75%] ()