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  • Estados Unidos Disobedient, The (título del festival)
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Sinopsis(1)

As children, Leni and Lazar were best friends. They lived in a world of their own, with its rituals. Then Lazar left, and returned as a grown man. Leni now works as a pharmacist; she has brief affairs and doesn't know what to do with her life. Perhaps a little shared misbehaviour to break with convention will help the pair to bridge their years of separation. With no particular aim, and no rules, they take off on their bikes together, travelling through the sun-baked countryside to the sound of Serbian hits from long ago. They lark about, argue, make some mischief but, most of all, create confusion between themselves which not even the perceptive narrator can fathom during his regular interventions in the story. Director and producer Mina Đukić́'s feature film debut offers an impressionistic view of a relationship which, rather than words, is more about gestures and the shared experience of escaping the provincial tedium. The rebellious playfulness is supported by unusually sharp cuts, an imaginative narrative and incisive lensing. (Karlovy Vary International Film Festival)

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español The Disobedient es el tipo de película de la que no tiene sentido hablar de sus personajes ni siquiera del argumento, ya que prácticamente no existe: la sencilla historia del intento de una joven pareja serbia de rebelarse contra la corriente y volver a su infancia se reconstruye a partir de episodios muy aislados. El dúo central está formado por locos antipáticos e imprevisibles que juegan a un extraño juego psicológico sin reglas. Lo único que impresiona de la película es la ambientación de la campiña balcánica y el escultural cuerpo de la protagonista, pero por lo demás esta road movie poética, sensual y basada en la estética, resulta bastante inútil y poco acogedora para el espectador. Para lo sencillo que es el mensaje que transmite, lo comunica durante bastante tiempo y de forma poco atractiva. ()