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Sinopsis(1)

The Line — Four Projections discusses the way film has played its part in constructing various feminine mythical personifications often based on male projections. Using a specific line from a scene in the film Persona by Ingmar Bergman, reconstructing the scene, and internalizing it in the dreams of The Line's main character, the film aims to capture the complexity of projections and their origins. (AV-Arkki)

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