Director:
Måns MånssonGuión:
Sara NamethCámara:
Ita Zbroniec-ZajtReparto:
Dennis Axnér, Robert Bengtsson, Veselko Bedi, Anders Mossling, Carina Nilsson de Rosa, Morten Burian, Alexandra Zetterberg, Gertrud Sandqvist (más)Sinopsis(1)
Anders, poeta y padre soltero, pierde su trabajo como crítico cuando escribe la reseña de un libro que no existe. Yarden es el nombre del lugar donde consigue un nuevo empleo, una enorme estación de carga de automóviles nuevos en el puerto de Malmö. Aislado de su ambiente, el poeta perderá todo en la triste y fría realidad de su entorno, incluso el respeto de su hijo. (Morelia International Film Festival)
(más)Videos (1)
Reseñas (1)
On the edge between an Östlund socio-probe and Darden's (anti) morality - the story of a bankrupt man who deliberately destroys his life, which brings him to the bottom of Swedish society - poorly paid foreign workers at a car depot in Malmö. Dehumanized work, dehumanized relationships, totally dehumanized form, dominated by distinctive frames, cold colors and an aggressively industrial sound component. A film that deals with a lack of empathy and does not try to evoke any, either with immigrants or with a protagonist who is far too passive and surrendered to receive any compassion. His decisions in the second half remind of Rosetta of Dardenne brothers, but the viewer is not offered any satisfaction, only a brutally torn and austere ending. The unfortunate thing is mainly the instructive use of opera overture in the background music and the sometimes somewhat debatable attempt to make the film a metaphor for Sweden, but the work is remarkable. [Forum Berlinale 2016]
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