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Dovlatov retrata seis días en la vida del brillante e irónico escritor Sergei Dovlatov, quien vivió los rígidos límites de la Rusia soviética de los años 70. Junto con su amigo el poeta Joseph Brodsky, peleará para preservar su propio talento e integridad, mientras ve cómo sus amigos artistas son aplastados por la maquinaria del Estado de hierro y deberán emigrar a Nueva York, dejando atrás su hogar. (Abordar distribución)

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inglés Russian culture has always functioned as a social forum - and Dovlatov is no exception. The contrast between the very literal dialogues and the typically "Germanic" mise-en-scène, this time captured in suffocating detail, is somewhat irritating - as if Dovlatov was as inaccessible as an overly rhetorical work. A spectator unfamiliar with the reality may get lost in that fog and flood of fragments. But if you're at least a little interested in the relationship between writers and power in Russia, German's film is chic and captivating, albeit a somewhat protracted spectacle with a great protagonist who struggles with misunderstanding, inner weakness and the temptation to sell himself to the regime. ()

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