Egon Schiele: Tod und Mädchen
Director:
Dieter BernerCámara:
Carsten ThieleMúsica:
André DziezukReparto:
Noah Saavedra, Maresi Riegner, Valerie Pachner, Larissa Aimée Breidbach, Thomas Schubert, Daniel Sträßer, Cornelius Obonya, André Jung, Nina Proll (más)Streaming (1)
Sinopsis(1)
A principios del SXX, Egon Schiele era uno de los artistas más provocadores de Viena. Las mujeres eran lo más significativo de su arte, sobre todo su hermana pequeña, Gerti, y Wally Neuzil, la mujer inmortalizada en una de sus pinturas más famosas: “La muerte y la doncella”. Su vida y su trabajo estaban plagados de erotismo hasta el punto de ser juzgado por sus radicales pinturas. (La Aventura Audiovisual)
(más)Videos (3)
Reseñas (3)
I quite like biopics, but Egon Schiele: Death and the Maiden is not one of the better ones. Despite Egon Schiele's fame for painting bold nudes, there was no need for so much nudity in the film, which is completely pointless in places. The performances of all the actors are more or less standard. Actually, I can't point out anything special about it, but it is watchable. (55%)
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Schiele's subject matter is somehow not saturated in cinema, so I very much welcome the new biography. It’s clear, emotional, and inspiring. And it beautifully winks at the intermingling of Schiele and Klimt. Now I can happily return to Herbert Vesely's older film Egon Schiele: Excess and Punishment. I am looking forward to it, for I have been emboldened by this fresco.
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The portrait itself is not groundbreaking, it's not some new biopic that's completely innovative. It's simply a portrait of an interesting, bohemian, troubled, but incredibly talented artist who didn't have enough time to draw more things. But he left a lot behind. And I simply have to give extra points for Krumlov.
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Galería (34)
Foto © Thim Film
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