Fack ju Göhte 3

I wasn’t very hopeful that they could keep up with the quality of the prequels, but in the end, it really wasn’t all that bad. The problem was that funny scenes were followed by cringy ones, which only reminded me of Girls, Girls and an era during which everybody said that the Germans made the worst movies in Europe because they were only familiar with these crazy commercial comedies – frantic editing, absurd scenes, wannabe funny music insertions… There were a few scenes like that in this movie. For example, the moment when Chantal and her friend accidentally indulged in virtual sex, and her friend’s grandma put a cookie in her mouth. Well, luckily, they saved it with the rest and with the fact that I’ve already grown used to this throughout the first and the second movie. (04.09.2018)

The third part of the successful Suck Me Shakespeer is unfortunately the weakest and actually useless. The second one spiced up things up by going on a trip, the third one is back at school, but it doesn't have much balls anymore. There are far fewer funny scenes than in the previous installments and I felt like they were running out of ideas, like the movie was made out of a need to make more money. It’s still watchable, Elyas M'Barek is still cool and Gizem Emre is hot. 60%. (30.03.2018)

Suck Me Shakespeer 3 does not offer the genre novelty of the first film or the exotic action of the second, but it is still an average comedy and a solid conclusion (within the genre) to the trilogy. The film tries to be over-educational and highlights contemporary problems in education, which is great on the one hand, but it also kills its comedic potential. That said, the scenes with virtual sex and the introduction of the cervix really blew me away, as did the originally conceived title sequence. Zeki, Chantal, Danger, Ingrid and others in a third of everything good and bad or a nice final overture to Göht. (02.04.2018)

The first part of the Suck Me Shakespeer movie series could safely be described as a breath of fresh air in the German comedies sector, the second one was still quite passable, but Bora Dagtekin really should have stopped short of a third one, because it is more or less one big unfunny embarrassment. The only thing keeping this sinking barge afloat was perhaps the sexy handsome Elyas M'Barek and the energetic soundtrack. (40%) (01.03.2022)