Pity

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Cómodamente instalado en la tristeza, un abogado acaudalado desgrana los días del coma de su mujer. Un adicto a las mieles del sufrimiento y las condolencias, capaz de cualquier cosa a la mínima que las “buenas nuevas” asoman, pues solo puede estar contento cuando es infeliz. (Filmin)

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Malarkey 

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inglés Unbelievably gloomy, at times I thought that the main character couldn’t possibly be serious with all that depression. He’s drowning in total bullshit and he’s making sure everybody can see that so that nobody would think that he isn’t grieving for his sick wife at all. He gets so brutally lost in his sadness that when his wife eventually gets better, he “happily” goes on with his depression. It’s definitely filmed in an interesting way, but it proves that Greek cinematography is simply the weirdest European cinematography of them all. ()