Director:
Robert BentonGuión:
Tom StoppardCámara:
Néstor AlmendrosMúsica:
Mark IshamReparto:
Dustin Hoffman, Nicole Kidman, Loren Dean, Bruce Willis, Steven Hill, Steve Buscemi, Stanley Tucci, Mike Starr, Frances Conroy, Moira Kelly, Kevin Corrigan (más)Sinopsis(1)
Billy, un joven ambicioso de origen humilde que vive en un barrio de gángsters, decide ingresar en la banda del mafioso Dutch Schultz para aprender los entresijos del negocio. Poco a poco, va escalando posiciones a la sombra del capo, hasta que éste empieza a decaer, momento que Billy aprovecha para hacerse con el poder. (Warner Bros. España)
(más)Reseñas (3)
So many famous faces for such a mediocre movie. Moreover I can’t get rid of the notion that it was Loren Dean’s performance, who I think was an awful fit for portraying Billy Bathgate, which made this movie so mediocre.
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A very solid gangster film, which seems to be in the shadow of all those De Palma films, but also still has something to offer. The remarkable cast of the main and supporting roles satisfied me and made me overlook the sometimes imperfect sets. For 1935 this was not very accurate, but still acceptable in the practice of the early 1990s. Hoffman was a proper primitive character here, while Kidman surprised us with the suppression of her lush rust-colored thatch of hair and racy eroticism (indeed, Eyes Wide Shut wasn't the only argument for revealing her). I also appreciated the traditionally ironic Willis, Buscemi, and Tucci. I was surprised by the young Moira Kelly and from then on I just enjoyed the pleasant story of Billy Bathgate, the lucky juggler.
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From each shot, it is evident that the studio believed in the film and considered it a prestigious A-list investment. The luxurious cast, rich set design, and excellent craftsmanship, whether it be camera work, sound, or costumes. I wouldn't say the result is boring, but perhaps a very average, easily forgettable spectacle that, surprisingly, doesn't earn any points even in the (rare) shootouts or gangster reckonings. Film enthusiasts will likely remember the liquidation of Dutch Schultz from the musically colorful The Cotton Club or possibly from other films, as the execution of this well-known gangster was among the key moments in the history of the American underworld. The film is also not helped by Hoffman and other stars in key roles, and perhaps only Nicole Kidman knew how to sell her youthful charm and acting in a way that will come to mind after a few days. The biggest problem may be the casting of the nondescript Loren Dean in the role of the protagonist. This is simply a film that will fill in boring moments, but don't expect anything significant from it. Overall impression: 55%.
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