Director:
Robert BentonGuión:
Robert BentonCámara:
Néstor AlmendrosReparto:
Dustin Hoffman, Meryl Streep, Jane Alexander, Justin Henry, Howard Duff, George Coe, JoBeth Williams, Bill Moor, Jack Ramage, Howland Chamberlain (más)Sinopsis(1)
Ted Kramer es un joven padre y esposo que adora a su familia, pero también su trabajo ya que es allí donde pasa la mayor parte del tiempo. Una tarde, al volver de trabajar, su mujer Joanna se enfrenta con él y le abandona para que cuide del hijo de ambos, de seis años. Ted deberá aprender a ser padre procurando al mismo tiempo no descuidar su carrera profesional. Pero cuando ya se ha adaptado a su nueva vida y comienza a sentirse realizado como padre, Joanna vuelve. Y quiere recuperar a su hijo. (Columbia Films S.A.)
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Reseñas (6)
In the group of films that try to explore the issue of crumbling marriage from any perspective, this particular masterpiece remains unwaveringly at the top. And the proverbial medal of merit goes especially to Dustin Hoffman, who once again confirms his acting genius, and of course also to his counterpart Meryl Streep, whose performance is very intense and strong even in a small space. But the Oscar winner in a year when Coppola not only hit the movie world with his legendary and fantastic Apocalypse Now? No way! That seems to be the only blemish on the beauty of this thought-provoking dramatic tale. 85%
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I categorically declare that this melodrama is too melodramatic and shallow at the same time, despite all the effort put into it. It does touch on the serious topic of family breakdown and conflicts over raising a child, as well as the fact that the film features the most significant actors of their generation in the main roles. However, I simply feel that it is a flat film that lacks the rawness it truly needs and is afraid to show the conflict in all its complexity and hopelessness. I know several cases where painful reality far surpassed a Hollywood script. This film manipulates the viewer's emotions skillfully and its craftsmanship cannot be denied, but it did not evoke any emotional catharsis in me. Overall impression: 65%.
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A timeless relationship drama whose ideas and expressions transcend all generations. Minimum space, maximum acting, brilliant script and unusually dynamic direction for the time. A retro version of Marriage Story, where mobile phones and computers may be missing, but the main idea and relationship problems are portrayed brilliantly.
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With the exception of one slightly exaggerated scene (when Ted and Billy are preparing breakfast for the first time, it reminded me – and I’m not joking – to the Czech film Pánská Jízda), this film is flawless. I was expecting it to be solid, but I didn’t think Kramer vs. Kramer would be so touching. 10/10
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I would say that this time the authors put together the best they could and were so full of confidence that they put the best of their time into a family drama, which ends in a trial, which is something I really hate. Luckily, the result is not so bad and that is mostly because Dustin Hoffman and Meryl Streep show their usual maximum.
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