Director:
Theodor PištěkCámara:
Jan RothReparto:
František Kreuzmann st., Helena Bušová, Ladislav Pešek, Jára Kohout, Zita Kabátová, Jiřina Sedláčková, František Roland, Eman Fiala, Anna Letenská (más)Sinopsis(1)
The rich young widow Klára Zvonečková wants to remarry. A frequent visitor to her house, Mr Šukálek, secretly adores her. But the widow asks him to procure a husband for her. Šukálek brings round his friend Růžička, who also loved Klára once. Klára's uncle is also living with her, Mr Hejl, a banker who keeps a demanding mistress. Hejl's accountant Jedlička suddenly vanishes and thereupon it is discovered that a large sum of Hejl's money has gone missing. Růžička gets engaged to Klára but really on the basis of past feelings. One evening Růžička rescues a young flower girl, Tekla, from the pesterings of an old man. He falls in love with the young girl. Though she is interested in him too, she soon disappears and Růžička searches for her in vain. Just as he is to sign the wedding agreement with Klára, Tekla suddenly arrives with the flowers, and Růžička runs off after her. Klára goes to look for Tekla at her new house and finds out she is the daughter of the presumed thief Jedlička. However, Šukálek helps prove that Hejl himself was the fraud, exploiting the fact the Jedlička had had to leave suddenly on account of his daughter's illness. Now nothing can bar Tekla and Růžička's wedding. Klára gives her heart and hand to Šukálek. (texto oficial de la distribuidora)
(más)Reseñas (1)
Suburbian Girl or Everything Comes to Light is an old film, but even a century later it still has something to it. In a historically tense time, director Pištěk met again with composer Piskáček and once again they created a successful work of Czech film operetta, in many ways following their first triumph in the form of the operetta "Anička, Come Back!" (1926). Tyl's panopticon offered many endearing opportunities for the stern but infinitely beautiful Helena Bušová, for the naive and even more beautiful Jiřina Sedláčková and, of course, for the wonderful Zita Kabátová, who did not hesitate and almost stole the whole film for herself. Actress Valerie Dupla walks through each scene in a new costume (the best of which is Salomé), switches between several acting positions, and even sings a few cute Piskáček songs. It is also a story with humor and lessons, in which countryman Šukálek triumphs over lies and hatred with his wit. You couldn't ask for more.
()