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Through a Glass Darkly
Director:
Ingmar BergmanGuión:
Ingmar BergmanCámara:
Sven NykvistMúsica:
Erik NordgrenStreaming (1)
Sinopsis(1)
Karin, David (su padre), Minus (su hermano pequeño) y Martin (su marido) pasan sus vacaciones en una isla. David es un escritor viudo que desde la muerte de su esposa se ha ocupado más de su carrera literaria que de sus hijos. Así pues, ha descargado sus deberes en Karin que, restablecida de un ligero transtorno mental, se casa con Martin, uno de los doctores del sanatorio. Durante las vacaciones, Karin comienza a resentirse de la enfermedad mental y toma a Minus como confidente explicándole que se siente irresistiblemente atraída por la voz de alguien que la llama con una insistencia obsesiva a través de una de las paredes del desván... (Filmin)
(más)Reseñas (3)
It reminded me of Fellini's 8½. A heavy, hopeless film that drags on as if someone had cut off both its legs. A suffocating and darkened testimony of the disintegration of personality, the search for God and love for a neighbor, whilst at the same time groped questioning the price of art in the face of a concrete life tragedy. The excellent exteriors of Fårö island (?) add even more authenticity to traditionally captivating acting. Sometimes the film goes so deep that it makes you feel cold, and at other times it gets a little confused in a kind of creative hopelessness…
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I stand firmly behind Bergman and respect his creative ideas – in this case the search for love and divine hope through the mental suffering of a loved one –, but Through a Glass Darkly reminded me all too strikingly of the melancholic films of Michelangelo Antonioni. A brutally tedious pace, lots of existential dialogue, long close-ups of the female protagonist’s face and, most importantly, lots of obligatory thematic filler in the empty space of the simple but unnecessarily bloated story of four characters. Again, I appreciate the mystical formal level and the impressive shadow play, but content-wise I'm disappointed. The plot around severe mental illness looks interesting, but in juxtaposition with the traditionally elusive nature of its characters, rational rather than emotional, it feels somewhat implausible and fake. I wish Ingmar had written a little more relaxed comedies, Smiles of a Summer Night was a lot more appealing.
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Ingmar Bergman simply isn't for everyone, but with every film, he proves how deeply he was able to think about the world and about people. It is truly a powerful statement about what happens within a person, what a person does, and how a person thinks. Nevertheless, it is a film that is difficult to access, due to its focus on only a small group of characters and a sort of bleakness.
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