Ray
Ray
Director:
Taylor HackfordGuión:
James L. WhiteCámara:
Pawel EdelmanMúsica:
Craig ArmstrongReparto:
Jamie Foxx, Kerry Washington, Regina King, Patrick Bauchau, Curtis Armstrong, David Krumholtz, Richard Schiff, Larenz Tate, Clifton Powell, Usher (más)Streaming (4)
Sinopsis(1)
Si una vida se reduce a la suma de sus partes, entonces la historia de Ray Charles podría verse como un relato de triunfos y fracasos personales que se esconden tras una longeva y multipremiada carrera en el negocio del espectáculo. Pero estamos hablando de un hombre que sintetizó sus luchas, su dolor y su oscuridad personal con la misma efectividad con la que supo fundir en su arte una miríada de estilos musicales: el jazz, el rhythm & blues, el rock & roll, el gospel y el country. Su historia tiene entonces un sentido muy distinto: la cadena de eventos y logros se transforma en el vibrante y conmovedor trayecto de un genio único con una visión propia que enseñó al mundo a escuchar música de una forma nueva. (Universal Pictures España)
(más)Reseñas (4)
La nominación al Óscar a la mejor película es puramente política. La película está meticulosamente rodada, los números musicales brillantemente montados y Jamie Foxx refleja con brillantez todas las posiciones físicas y mentales de su personaje. Pero el propio guión dormiría incluso a un Ray Charles dopado sin la presencia de dicho actor y sin el director de fotografía a su lado. Es un bonito homenaje a un gran músico (en el que encontrarás paralelismos con su propia vida), pero está lejos de ser una gran experiencia cinematográfica.
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Solid craftsmanship, breathing the atmosphere of the 1950s and 60s, but a conventionally conceived and cinematically unexceptional biopic of a musical genius (Hackford's Oscar nomination is a bit mysterious to me). Despite the presence of two or three poignant scenes from Charles' childhood, the glimpses into his life left me emotionally cold, although Ray's colourful life urged otherwise, but the fantastic musical numbers compensate for that (the absolute killer "The Mess Around" in the rehearsal studio, the improvisation on "Baby, It's Alright", the circumstances of the creation and the song "Hit the Road, Jack", and many more), they kick the viewer into gear and beat flawlessly to the beats of R’n’B. Foxx does a great imitation of a great piano virtuoso and I fully believed him as a soul star. Final rating: three and a half stars, rounded down this time due to the high expectations.
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I would call it craftsmanship. Some scenes were unnecessary, the flashbacks of youth were touching and engaging, but not extremely important. However, it is incredible how riveting an ordinary recording session in a studio is in Hackford's delivery, for example. If the best scenes in a film about a great musician are the ones where music takes center stage, at least in this aspect, everything is fine.
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This is exactly the type of movie where an actor can show off their skills. An interesting and well-known character, who did not have an easy fate (blindness, drug problems, infidelity), plus he is a singer. So it will really require a capable actor. And Jamie Foxx has shown that, truly delivering a life-changing performance. Incredibly believable, with a great voice, and everything in favor of the movie. It is well built on its own, and the flashbacks are well connected to the present storyline. Yes, it is still just a biopic, but the viewer learns everything important. Excellent acting.
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