Lynch/Oz

Alexandre O. Philippe entrega otra delicia documental para cinéfilos y de nuevo con un concepto nuevo y brillantemente funcional, donde seis cineastas y expertos analizan libremente en seis capítulos la influencia de El mago de Oz de 1939 en la filmografía mundial y especialmente en la obra de David Lynch. Está repleto de información, interpretaciones interesantes, sentimientos personales y, por supuesto, del verdadero entusiasmo de los espectadores. ¿Qué más se puede pedir? [KVIFF 2022] (19.07.2022)

"You may find Lynch's mysterious work even more mysterious after the screening," director Philippe promised before the screening in Kalovy Vary, and he was right. The ninety-five-minute documentary offers a lucid and insightful whirlwind of theories that, from the perspective of scholars and avid fans of Lynch's work, discuss various thematic, stylistic, and pop culture parallels to the classic film that first took us "over the rainbow" in 1939. This uncommon reading of Lynch's poetics is extremely refreshing, especially for cinephiles, and although the documentary occasionally strays too far into the purely personal and subjective feelings of the narrators, it doesn't run out of supporting arguments and doesn't lose its power as an exciting ode to the endless process of creative inspiration. It connects the entire body of cinema into an intertwined cycle that is a joy to think about and unravel. Especially in the interpretation of Philippe and the various thought-provoking analysts, among whom stand out David Lowery (director of The Green Knight) with his sense of defining directorial hallmarks and especially John Waters, who even half a century after making Pink Flamingos has not lost his sharp wit and eloquence. After watching it, you immediately want to revisit most of the films or series discussed and find new things in them, following the documentary's example. And that in itself is a clear creative triumph. (18.07.2022)