No me chilles, que no te veo

Richard Pryor y Gene Wilder son testigos de un asesinato. Uno no la vio, el otro no la oyó. Pero juntos tienen la ambición de resolver el caso, a pesar de que van a por ellos los criminales, la policía y, en realidad, ellos dos también se pelean. Sin embargo, es una película sobre una hermosa amistad y la cooperación. Uno no es nada sin el otro, pero juntos son un dúo poderoso. Los dos protagonistas son increíblemente divertidos y es difícil imaginar esta película sin ellos. Una comedia excelente. [KVIFF 2018] (03.07.2018)

This film left me with two clearly defined feelings. Gene Wilder reminded me of the time I was watching him in Blazing Saddles and enjoyed the film even for the fifth time. And then I was reminded or Laurel and Hardy, only with completely different actors, one of whom plays the blind and the other the deaf. A very nice slapstick with a solid old-school vulgar Czech voice acting, which I appreciate. (12.11.2016)

The weaker spots were there, but they didn't bother me - I took them as little snippets amongst the hilarious funny scenes. Besides the photographs being taken at the police station, I almost went crazy when, for example, Gene Wilder “quietly" penetrated the greenhouse. That really has to be seen. Last but not least, I liked that the film didn't make fun of the blind or the deaf, but also that at the same time it wasn't too careful - in short, it knew the right measure. (15.12.2018)

I first saw this comedy around 1993 and I remember it being very enjoyable. I watched it today expecting to be underwhelmed, but I'm perfectly happy to keep the original four stars. I had a great time again despite the film's dated feel. The premise was great, Kevin Spacey hasn't been edited out, Joan Severance was a treat for the eye, and the final duel of the blindmen had me in stitches. (15.01.2018)