El padrino: parte III

  • España El padrino, epílogo: La muerte de Michael Corleone (más)
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Sinopsis(1)

Michael Corleone, heredero del imperio de don Vito Corleone, intenta rehabilitarse socialmente y legitimar todas las posesiones de la familia negociando con el Vaticano. Después de luchar toda su vida se encuentra cansado y centra todas sus esperanzas en encontrar un sucesor que se haga cargo de los negocios. Vincent, el hijo ilegítimo de su hermano Sonny, parece ser el elegido. (United International Pictures)

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Reseñas (9)

POMO 

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español En el tercer episodio de la saga falta mi personaje favorito, el abogado interpretado por Robert Duvall, y la química entre los miembros del clan, del que él era el elemento unificador. Y el Michael Corleone de Pacino es muy diferente, no diría que han pasado ocho años desde la película anterior, sino veinte. Sin embargo, mudarse a su Sicilia natal y negociar con la Iglesia para entrar en los círculos más altos del poder es terreno fértil para otro panóptico de matones corruptos y la reflexión de Michael sobre su propia vida con el peso devastador del remordimiento hace de la película una digna conclusión de la trilogía. Y la más emotiva. ()

3DD!3 

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inglés I was the most worried about the last Godfather. After all, continuing the story so many years later is unusual and raises some concerns. A huge time shift in the story, the ageing of the main characters, and so forth. However, my fears were unjustified because the script is tightened to the last detail and doesn't lose any of the atmosphere of the previous films, but it pushes the plot all the way to 1978. Al Pacino is brilliant again as Don Michael, and Andy Garcia is great in the supporting role. The breathtaking Corleone saga comes to an end, and all we have left are the memories. ()

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DaViD´82 

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inglés "Real power can't be given. It must be taken." Is returning to the subject matter sixteen years later just flogging a dead horse? No, not at all. Although The Godfather III can’t equal its predecessors, it is still so much better than most other movie productions that it is impossible to give it less than a full set of stars. And the closing half hour is the best passage of the entire trilogy. A marvelous (and again unforgettable) ending to this family saga. ()

novoten 

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inglés Completely different from the first two parts, deliberately so, and yet still brilliant. It starts off slightly slower, but the final half-hour is possibly the best of the entire saga. Coppola this time gives preference to the younger generation portrayed by the great duo Garcia+Coppola, with Vincent, as a younger version of Michael, taking the lead. It's a beautiful feeling when Connie or Kay appear on the scene, and the ailing Godfather watches over everything, his almost forgotten past resurfacing. Plenty of nostalgia, fate, and memories with a new twist, and throughout the entire duration, chills run down your spine as the viewer more than suspects how it will all end, but doesn't want it to be that way. And for it to end at all. ()

Kaka 

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inglés For me personally, the best part of the trilogy. Coppola finally brought some dynamics and tension into it, which was missing for me in the first two parts. Bridget Fonda and especially Andy Garcia, who was rightfully nominated for an Oscar, also helped a lot. The ending was truly heart-stopping. ()

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