En la habitación

¿Por qué no se me permitió ver los sentimientos de los personajes durante toda la primera mitad (hasta la discusión) y me sentí como en una nevera todo el tiempo? Por qué Todd Field no cuenta también la historia en imágenes y se apoya en actores y el montador para todo? Este estilo de dirección estático, distante y sin imágenes no me gusta. Lo cual, dado el gran tema y los actores, me entristece. (10.08.2002)

A very slow and yet incredibly captivating film that impresses primarily with its naturalistic storytelling and the superbly portrayed psychological bond between the main characters. Flawless personal atmosphere and dialogues polished to the last word, but in a way that doesn't get on your nerves. The direction is cold and unobtrusive, literally indifferent in many scenes, Field lets the actors perform and does a great job. Both parts of the film are unbelievably authentic. I dare not say which one is better, but the final moments are justified and the key connection truly exists. A brilliant minimalist work. (14.09.2008)

I have hesitated for a long time with the evaluation, originally I gave four small stars, but they were more for the topic and genre than for the execution. The film is shot without any emotional involvement, it is as cold as a dog's snout. From the cast, I liked the unconventional Tom Wilkinson the most, he convincingly played the father and the avenger, I would say he played it with the most feeling out of all the actors. In the flood of poor crime films, action messes or dull comedies, it is slightly above average, but it would not receive five Oscar nominations from me under any circumstances... Overall impression 60%. (25.11.2007)