Director:
Raoul RuizCámara:
Ricardo AronovichMúsica:
Jorge ArriagadaReparto:
John Malkovich, Veronica Ferres, Saffron Burrows, Stephen Dillane, Sandra Ceccarelli, Paul Hilton, Nikolai Kinski, Joachim Bißmeier, Aglaia Szyszkowitz (más)Streaming (1)
Sinopsis(1)
Con el trasfondo histórico del fin del siglo XIX y la llegada del XX a Viena, la historia se inicia en 1918, con el pintor modernista Gustav Klimt postrado en su lecho mortal, mientras su discípulo le retrata y el pintor rememora diferentes momentos de su vida: su amor por la bailarina y actriz francesa Cléo de Mérode, su amistad con otros ilustres vieneses de la época como el arquitecto Adolf Loos o el filósofo Ludwig Wittgenstein. (Eurocine Films)
(más)Reseñas (1)
If you have an eye for Viennese Art Nouveau, then you can welcome Klimt with open arms. John Malkovich in the lead role is not exactly excellent. In truth, his means of expression have been the same for several years now, so behind certain masks he may as well be Valmont, Klimt or Murnau, but that does nothing to detract from overwhelming all the senses in this collage of modernists, canvases and the subtle decadence of the world between 1900 and 1918. In terms of acting, equal to Malkovich are all of his partners with Veronica Ferres leading the way. Irina Wanka, the daughter of Rolf Wanka, got the opportunity to make a nice comeback on the big screen as Bertha Zuckerkandl (1864-1945, who ran the Parisian cultural salon for most of her life). Although she made her debut as a child with Visconti in 1969, her career has otherwise been dominated by television series and dubbing has become her domain. Her performance in this film is so valuable that it stands out.
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