Intacto
Intacto
Director:
Juan Carlos FresnadilloGuión:
Andrés M. KoppelCámara:
Xavi GiménezMúsica:
Lucio GodoyReparto:
Leonardo Sbaraglia, Eusebio Poncela, Mónica López, Antonio Dechent, Max von Sydow, Guillermo Toledo, Alber Ponte, Jesús Noguero, Chema de Miguel (más)Sinopsis(1)
Federico sobrevivió a un terremoto. Tiene el poder de arrebatarle la suerte a los que le rodean: tiene el "don". Trabaja gafando a los jugadores en racha en un Casino edificado en un desierto de lava, propiedad de Sam un superviviente de la mayor tragedia que ha vivido la humanidad: el holocausto judío. Retando a Sam, Federico es expulsado del paraíso y su don es anulado por Sam. Años más tarde Federico cree haber encontrado en Tomás, único superviviente de un accidente aéreo, el instrumento de su venganza para volver al Casino y retar al Dios del Azar con un muchacho tan poderoso como él, al que enseñará cómo controlar la fortuna. (Divisa Home Video)
(más)Reseñas (3)
Fresnadillo is talented, no question about it. Yet I didn't understand that until I saw his next film. I don't see how 28 Weeks Later can be brimming with utterly brilliant momentum when this first feature is based on a great idea that's buried by an incredibly dead pace and a complete lack of empathy for all the characters. The day after watching it, all I remember is the famous sprint through the forest, which is too little for 105 minutes.
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Well, the desire to go jogging in the woods pretty much passed me by, but not so much because of THAT scene as because this film was so tedious that it made me disinclined to do any other activity. It's a shame that only the premise was took off to the skies of originality and not the rest.
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It is a great pity that such a promising thriller concept, which could have been used in almost any genre (especially sci-fi, which would suit it the most), has been diluted into a surprisingly uninteresting drama, where the viewer can only dream about interesting characters. I was particularly bothered by the screenwriter's impersonal approach to the characters throughout the first half, as a result of which the catharsis did not feel like a culmination, but rather as a liberation from boredom. From experience, we know that a good mystery thriller can be created in Spanish conditions, but this case certainly is not one of them.
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