Director:
John MooreGuión:
David SeltzerCámara:
Jonathan SelaMúsica:
Marco BeltramiReparto:
Liev Schreiber, Julia Stiles, Seamus Davey-Fitzpatrick, Mia Farrow, David Thewlis, Michael Gambon, Pete Postlethwaite, Bohumil Švarc st. (más)Streaming (3)
Sinopsis(1)
Muchos creen que la profecía del Libro de la Revelación, también conocido como Apocalipsis, plantea el mapa de un terrible futuro… o presenta fragmentos de la historia que se han hecho realidad en nuestra época. Las señales, proclaman, están a nuestro alrededor en forma de ataques terroristas, fenómenos meteorológicos extremos… la lista continúa. El pasaje apunta en concreto a la llegada del Anticristo, que está marcado con la secuencia numérica 666: la marca de la Bestia. El Anticristo recibirá su poder directamente de Satán para crear un fraudulento reino en la tierra, señalando el comienzo del Armagedón... (20th Century Studios H. E.)
(más)Reseñas (1)
Basically, it is an exact copy of the original film, skillfully set in the modern world full of mobile phones and fast cars. For someone who has not seen Richard Donner's piece, the new Omen will certainly be a solid experience, as John Moore closely follows the predecessor, even repeating some scenes in detail, so it could not be spoiled much in terms of content. However, little Damien is noticeably weaker here. Moore does not create a dark atmosphere very well, so he relies on visual explosions as much as possible, whether it's the scenes in the cemetery with the dogs or the fanatic caretaker and the care. Unfortunately, this is where the problem lies because Moore is typically an action director and some scenes are too dynamic and fast-paced with shaky handheld camera and quick cuts, which is quite disruptive considering the concept of the film. And what on earth were those pseudo-Italian sequences supposed to mean when the actors were moving around in the alleyways behind the National Theatre? A relatively unnecessary remake that at times is overly artificial and rigid compared to its predecessor.
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