Requiem (el exorcismo de Micaela)

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En una pequeña ciudad del sur de Alemania, en la década de 1970, vive Micaela, de 21 años, que se ha criado en una familia profundamente religiosa, con un padre cariñoso pero débil y una madre fría y distante. A pesar de llevar años librando una larga batalla contra la epilepsia, Micaela desea fervientemente salir de su casa para ir a la universidad. Una vez allí, saborea la libertad por primera vez. Su incipiente amor por Stefan y su amistad con Hanna hacen que se rompa el escudo de la fe y de la familia, bajo el cual siempre se había sentido segura y protegida. (Alta Films)

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inglés If you’re expecting a horror, you can forget it right now. This is pure psychology. Since the beginning it is apparent that the medialized story of Anneliese Michel was adapted by the creators who are rational and have some common sense. The film is not as effective and certainly not as shocking as typical of American versions. Rather it digs really deep into the psychology of Michaela herself, portrayed really well by Sandra Hüller, and the family itself. In the end I had a feeling I am not surprised at all why the case ended up the way it did. If I should choose whether to believe the more spiritual and commercialized truth or concentrate on the psychological aspect of things, I would certainly choose the psychological and immediately drive a nail to the mahogany coffin of the German church of the time. Just another proof that orthodox Christianity can make your life the same living hell as orthodox Islam. ()

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