Director:
Nimród AntalGuión:
Mark L. SmithCámara:
Andrzej SekulaMúsica:
Paul HaslingerReparto:
Kate Beckinsale, Luke Wilson, Frank Whaley, Ethan Embry, Dale Waddington, Antonio Buíl, Scott Anderson, Chuck Lamb, Andrew Fiscella, Ernest Misko (más)Streaming (2)
Sinopsis(1)
Un desvío nocturno se convierte en una pesadilla inimaginable cuando el coche de una pareja separada se avería en una remota carretera rural. Al encontrarse atrapados en una oscura y desierta carretera de dos carriles, David Fox y su ex mujer, dentro de muy poco, Amy se ven obligados a pasar la noche en un sórdido motel dirigido por un extraño aunque aparentemente inofensivo propietario. En su habitación mugrienta y raída, la pareja, siempre peleando, encuentra un alijo de películas caseras macabras que parecen extrañamente reales. Cuando se dan cuenta que los vídeos sangrientos están hechos en la misma habitación en la que están, David y Amy descubren que serán las próximas víctimas de los sádicos cineastas a menos que dejen a un lado sus diferencias y trabajen juntos para escapar. (Sony Pictures Esp.)
(más)Reseñas (4)
A pretty gripping B-movie that never gets boring and, more importantly, won’t make you shake your head at the stupid behaviour of the characters. The protagonists act in a surprisingly realistic fashion, which makes their fight for survival very believable. That very important good thing compensates for the shortcoming that is the main villain, who’s not precisely brimming with charisma and who feels contrived instead of scary. Although figuring out the ending wasn’t hard, I had good fun, which is something I appreciate in films. 71%
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Antal is talented. He’s got the craft down pat, and he gets by just fine on a minimal budget. He doe just fine so as long as there’s banging on doors and people watching battered VHS tapes of somewhat bizarre home videos. Then the banality of the story he tells starts to suffocate him and he has to unwittingly weave the viewer through a thick layer of clichés that escalate into a very stupid finale. This film will fade into oblivion soon enough, but I don't want to condemn it completely given the occasional disturbing moments. I give it a weaker three stars.
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Even though you know what will happen in the next minutes and there are no surprises, Vacancy is quite good. Nimrod Antal knows how to scare and the whole thing moves along quite nicely. Plus, Luke Wilson shows that his versatile acting face really works in any genre. Definitely not for more than one viewing though.
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Half an hour of total boredom with various and especially predictable clichés, without any scare, with logical blunders and terribly acting Kate. The climax came during the prolonged scene of banging on various walls and doors, when I almost turned red with her absolute dysfunctionality. And then suddenly, a few blinks, a few scares in a short time, and I'm looking at everything differently and I honestly root for the main duo (or rather the likable Wilson). Impressive shocks, on the other hand, some denial of clichés and a creepy atmosphere. The contrast against the introduction is almost unbelievable.
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