Director:
Hans HornCámara:
Bernhard JasperMúsica:
Gerd BaumannReparto:
Susan May Pratt, Richard Speight Jr., Ali Hillis, Cameron Richardson, Eric Dane, Niklaus Lange, Wolfgang RaachSinopsis(1)
Es la historia de seis amigos de la infancia que se reúnen para participar en un crucero tropical a bordo de un lujoso yate. Lo que empieza como una divertida fiesta y agradable reunión se convierte en una pesadilla en la que cada uno debe luchar por mantenerse vivo. El exótico reencuentro en la costa mexicana se trunca cuando, entre bromas, el grupo se lanza al agua para darse un baño. Todos se olvidan de dejar a mano la escalerilla y se encuentran, de repente, aislados en el mar mientras el yate se aleja con la única presencia de un bebé. (On pictures)
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Reseñas (3)
Are you bored? Take a yacht, go to the high seas, throw incompetent actors into the water and let them overact for 95 minutes, bray stupid existential phrases, moan hysterically, die in the stupidest possible ways and end it all with something incomprehensible in the style of Lynch. The result cannot be (and is not) anything more than grandiose bullshit about as believable as Mirek Topolánek's speeches and about as sexy a Jirka Paroubek's ass. Unfortunately, Hans Horn cannot achieve the qualities of Boll, because he respects a certain insurmountable standard of nonsense, and Open Water 2: Adrift is not formally as dreadful as Uwe's projects. That’s is not a compliment, dear friends - it is meant as criticism.
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The open sea, a group of kids, unlimited fun, fooling about, a mass jump into the water, a view of boat steps pulled out of the water, period, the end. With such short footage, it would probably have worked great on YouTube. For some strange reason, they made it as a feature length movie intended for the movie theater. The people whose fate formed the basis of this movie deserve the Darwin Award posthumously for their dumbness (in reality they all died, but here a happy ending is in store for some of them). The director should meet the destiny that awaited his characters. And the screenwriters? I think they’re great because I believe that they still have fits of laughter when they remember that all four of them actually got paid for those five minutes’ “work" with a couple of lines of “story and dialogs". Bad, boring, unfunny and irritating.
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"Sentenced to Die" is a bad movie that literally annoyed me the whole time, including the terrible ending, which tries to be emotionally strong and symbolic. Considering that it is built on a illogical nonsense, rustling like paper, it's just unbearable for me. These are the kind of movies that are not worth wasting time on because the creators simply tried to insult the audience.
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