Cosas que perdimos en el fuego

Susanne Bier es una maestra de los dramas psicológicos. Después de Corazones abiertos, mi corazón volvió a inundarse de emociones, aunque no de la misma manera que en esa película danesa filmada con una cámara de mano. Solo con el elenco de actores, la crudeza danesa no puede soplar al espectador, sino que es conocida por su hollywoodismo. A pesar de esto, Susanne Bier logró filmar un drama magistral a un ritmo lento que en ningún caso resulta aburrido. David Duchovny es súper simpático, aunque no tiene mucho espacio, Hale Berry es insoportablemente antipática, lo cual fue probablemente intencional en el guion, y Benicio del Toro es increíblemente magnífico. A pesar de todos los actores excelentes, recibiría con gusto el regreso de Mads Mikkelsen y compañía. (13.11.2008)

I don't have anything against dramas. I do enjoy them in fact. Unless they end tragically, they are often left open-ended, which reminds me of real life. I was perfectly satisfied with this film in this regard, but there was something else that bothered me. Despite all the tragic circumstances presented in the plot, the story of a junkie who managed to turn his life around struck me as almost fairy-tale-like at times. In terms of acting, I had no problem with anyone, but I can’t say the same about the writing. When good things start happening to people, I expect the film to turn into a horror movie in which extremely unpleasant things soon start happening, or a fairy tale. This was the latter option as far as I’m concerned. It wasn't a bad movie, but the filmmakers showed little sense of reality. / Lesson learned: If you ask too many questions, you’ll find out things you didn’t want to know. (31.07.2022)

A Forster movie made by a woman. The acting potential is drowned in a lack of emphasis on direction and a script that goes basically from nowhere to nowhere. You'd want to enjoy a Del Toro this good more, but there's an element of unpredictability and a scene that will rip your balls off. Everything is a template, and that includes Halle Berry, who basically reprises her performance from Monsters Ball, except she doesn't take her clothes off. I'm not denying the solid existential subtext and the pressing theme of the reality of ordinary mortals, but there's already been so much of that, that this one is not enough on its own. (17.09.2018)

Produced by Sam Mendes, this is a fairly well made drama with convincing acting from Benicio Del Toro, a reasonably tolerable Halle Berry, and a slightly average Duchovny. I really liked the "dedication" of Del Toro's character, where he was more of a supporting character in the first part, only to draw all the attention to himself afterwards, for which he rightfully deserves the fourth star. (19.04.2010)