Director:
Chris SivertsonGuión:
Jeff HammondCámara:
John R. LeonettiMúsica:
Joel McNeelyReparto:
Lindsay Lohan, Julia Ormond, Neal McDonough, Garcelle Beauvais, Kenya Moore, Eddie Steeples, Michael Papajohn, Brian McNamara, Donovan Scott (más)Sinopsis(1)
Aubrey Fleming (Lindsay Lohan) was living the small town life, until the day she was abducted by a sadistic killer. After a frantic search, Aubrey turns up alive, but changed. She is missing limbs, but has gained a new personality - that of bad girl Dakota Moss. Her parents and the FBI think she's suffering from delusions, but if Dakota is just a trick of her mind, why do strange wounds keep appearing on her body? Desperate and alone, Aubrey must now unlock family secrets to unmask a mysterious killer with a deadly obsession. (texto oficial de la distribuidora)
(más)Reseñas (2)
Creo que a Lindsay Lohan le va mucho mejor en este filme, Naturaleza muerta, que en películas como Herbie: A tope o Entre chicas. Sin embargo, prefiero sus comedias. El mayor defecto de este thriller radica en la falta de equilibrio para mantener la tensión, no logra cautivar al espectador para que contenga la respiración con emoción. Justo cuando comienza a ser interesante, la trama se detiene como si apareciera un baile de un bar de striptease o un recuerdo repugnante de tortura. Y Lindsay Lohan en la posición a horcajadas sin brazo ni pierna, ¡seguramente es solo para conocedores!
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At first glance, the screenplay has several problems. The first - and biggest - is the dialogues. In some scenes, they are incredibly stupid, which greatly diminishes the impression of what the viewer is watching. Ultimately, the dialogues are not even well acted. The second problem is how completely unnecessary scenes are inserted into the film for effect. And even those scenes are not very good, or truly effective. Couldn't Lindsay at least take off her clothes? What the film manages to do well is maintain tension because for a good while, you won't know what is happening. That's good because there isn't much else to be interested in. Then it all comes down to the punchline and how it will be handled. Unfortunately, even that is not revolutionary and the film only shows that it lacks any structure leading to the punchline, it's just blindly shot and somehow it made a little sense.
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