Warcraft: El primer encuentro de dos mundos
Warcraft
ウォークラフト
Warcraft
Director:
Duncan JonesCámara:
Simon DugganMúsica:
Ramin DjawadiReparto:
Travis Fimmel, Paula Patton, Ben Foster, Dominic Cooper, Toby Kebbell, Ben Schnetzer, Robert Kazinsky, Daniel Wu Yin-cho, Clancy Brown, Ruth Negga (más)Streaming (4)
Sinopsis(1)
El pacífico reino de Azeroth está a punto de entrar en guerra para enfrentarse a unos terribles invasores: orcos guerreros que han dejado su destruido reino para colonizar otro. Al abrirse un portal que conecta ambos mundos, un ejército se enfrenta a la destrucción, y el otro, a la extinción. Dos héroes, uno en cada bando, están a punto de chocar en un enfrentamiento que cambiará el destino de su familia, su pueblo y su hogar. Así arranca una espectacular saga de poder y sacrificio donde se descubren las numerosas caras de la guerra y en la que cada cual lucha por lo suyo. (Universal Pictures España)
(más)Reseñas (22)
It's easy to forget, but the world of the source material (just like the Warhammer Universe, for example) is an exploitation of Anglo-Saxon fantasy that takes its classic attributes to the extreme, from the warmly decorated armor of the forces of good, to the length and shape of the elven ears, to the grotesque disproportions of the forces of evil. In a similar reading, it's possible to see the film adaptation as something so bizarre (I nearly peed myself laughing – several times – during the opening sequence with the pregnant orc) that even a decade ago no one would have thought that, in principle, anyone could actually get away with making a feature-length live-action adaptation of the games' legendary blizzard cinematic sequences despite any comic relief. Warcraft, after all, can be seen rather easily as an exploitation of the colorful blockbusters filmed entirely in front of a green screen. Indeed, the process of throwing live actors into a completely surreal environment where they are forced to interact with a bunch of pingpongers and dancers with pockmarked faces is taken to the point of absurdity here, and it's terrible fun. Ironically, then, the chivalrous charge with flintlocks is what movie fantasy is sorely lacking – balls, ideas, and the joy of being entertained. I stomped my feet contentedly and was happy. This despite the fact that I'd tried the games and didn't care for them. Bonus subjective point for Travis Fimmel's acting, which reminded me terribly of waking up after a wild bash in a completely unfamiliar place among unfamiliar people and trying vehemently to pretend I fit in so as not to arouse suspicion before I can find the door.
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I expected more from this film. Most of the time, it felt like a cheaper version of The Lord of the Rings, although financially, it's obvious that the film was invested into heavily, including in visual effects, even featuring dwarves. The story is fine, but for fans, it will definitely be best appreciated for how closely it adheres to the source material, both the "World of Warcraft" games and the original strategy games.
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