Sinopsis(1)

Blair Maynard (Michael Caine) es un periodista de Nueva York que quiere demostrar que no hay nada de sobrenatural en una serie de misteriosas desapariciones en el mar Caribe, cerca del Triángulo de las Bermudas, donde más de 600 barcos han desaparecido en el transcurso de tres años. El tiene a su cargo a su hijo Justin y decide llevárselo con él. Maynard y Justin vuelan desde Miami a una serie de islas deshabitadas. Después de alquilar un barco de pesca son capturados por una banda de piratas asesinos que matan a cualquier intruso que aparezca por allí. Estos piratas han habitado una remota isla inexplorada durante cientos de años sin haber sido descubiertos nunca. (Cinema International Corporation)

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Reseñas (1)

D.Moore 

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inglés Four bright stars. Why, you ask? I haven't read Benchley's book (yet), but his writing literally breathes from every minute of the film (which makes sense, since he wrote the script). That's the first reason. Reason two - Michael Caine, of course. I know, it's pointless to go on and on about his acting, but still. Cain's character changes remarkably step by step from a dry, boring journalist to a man fighting for his life and his son during the 114 minutes of the film. It should be noted that as a veteran of Korea, he is understandably not afraid to let nothing and no one stand in one's way. And that’s exactly what he does. The ending was absolutely delicious (the eighties were indeed good for such scenes). Positive number three - the film is not afraid of naturalism and whenever it can, it shows us a throat being cut, an axe wound, a strangulation with a string. But none of this looks like cheap nastiness. And the last really big plus - Ennio Morricone's music. It made the schooner ambush one of the best scenes. Bottom line, it really does deserve the four stars. ()