Somewhere
Director:
Sofia CoppolaGuión:
Sofia CoppolaCámara:
Harris SavidesReparto:
Stephen Dorff, Elle Fanning, Chris Pontius, Benicio Del Toro, Laura Ramsey, Becky O'Donohue, Alexander Nevsky, Laura Chiatti, Michelle Monaghan (más)Streaming (1)
Sinopsis(1)
Johnny Marco es un actor de primera línea con perfil de chico malo, que tropieza por una vida llena de excesos. Vive en el legendario hotel Chateau Marmont de Hollywood, se pasea en su Ferrari y sus días son un neblina de alcohol, mujeres y fans. Arropado en esta celebridad inducida por un mundo artificial, Johnny ha perdido todo sentido de su verdadero ser. Hasta que un día, su hija de 11 años, Cleo (Elle Fanning), fruto de su fracasado matrimonio, se presenta en el hotel inesperadamente y comienza a ser su ancla con la realidad. Sus encuentros hacen que se enfrente a la cuestión de dónde se encuentra en su vida y a la pregunta que todos debemos afrontar: ¿qué camino tomarás en ella? (Vértigo Films Esp.)
(más)Reseñas (3)
I can already see a lot of people seeking (or worse, finding) a deep well of wisdom here, which is really off the mark. Somewhere is a simple, pretty nice, atmospheric, and also sinfully pointless film. The ostentatious indie format really pissed me off at first, but then I forced myself to get used to it because I realised that the film is not worth the stress. Stephen Dorff’s performance is nice, but not Oscar-worthy. 6/10
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A glimmer of hope in the void. You broke my heart again, Sofia... This time, something I'm used to looking for in the contemplative offshoots of European cinema – perfectly pure emotions that are not contaminated with words and foggy symbols. Angelic beings in the middle of emptiness, poetic non-speech, distilled laconism of cinematic speech. Why look for words when others wrote it before me: detached heartbreak. You don't forget that!
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I'm wondering which of the new (i.e., made in the last couple of years) and so-called ordinary films impressed me as much as Somewhere. No matter how hard I search, I still can't find a film that is so seemingly mundane and uninteresting, yet so incredibly true, profound and telling. Not much is said in Somewhere, but also more than enough. One look at Stephen Dorff and it's clear what's going through his mind. The film draws us into his world from the very beginning, alternating between moments of "fame" and moments of its flip side, and just when we kind of know who this successful actor is, his daughter (the excellent Elle Fanning) enters the scene. I don't know what it was, but I wished he would talk to her as much as possible, I was glad for any hint that he had feelings for the little girl, and after every word that was exchanged with even a little bit of interest, I let out a little sigh. And when the main character finally admitted (in two simple sentences, but all the more harsh) who he was, I was completely relieved. Sofia Coppola has an unusually lucky hand when it comes to her choice of themes, which she also manages to handle absolutely brilliantly... That brings me to the answer to the opening question - the last film that had this effect on me was probably called Lost in Translation.
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