Rabbit Hole
Director:
John Cameron MitchellCámara:
Frank G. DeMarcoMúsica:
Anton SankoReparto:
Nicole Kidman, Aaron Eckhart, Dianne Wiest, Sandra Oh, Jon Tenney, Giancarlo Esposito, Tammy Blanchard, Roberta Wallach, Marylouise Burke, Miles Teller (más)Sinopsis(1)
Becca y Howie Corbett luchan para volver a la normalidad después de que un giro del destino en forma de súbita y terrible pérdida haya sumido sus vidas en el caos. Atrapados en un laberinto de culpa, recriminación, sarcasmo y rabia, la pareja se enfrenta a la situación de formas distintas, haciendo elecciones que amenazan seriamente con distanciarlos. Pero a medida que se desarrollan los acontecimientos y sus vidas cobran nuevos significados, deben encontrar un punto en común que les permita seguir juntos... (A Contracorriente Films)
(más)Reseñas (5)
Rabbit Hole is an uncompromisingly serious psychological drama in which even a car’s trunk lid closes with insistent slowness. While Kidman explores the hole created by the loss of her child, Eckhart tries to fill it. She deals with the past; he looks to the future. There is no present in which they would find common ground. The film’s strange aloofness and the absence of everyday intimate moments between the central couple are explained by the devastating yet hopeful ending. They spent the entire ninety minutes seeking a path to the moment captured in the final shot. This is not in any respect a groundbreaking film and Kidman previously did a superb job of playing a woman dealing with a marital crisis in Eyes Wide Shut, but there is something quite rare in Rabbit Hole – a bit of truth. 80%
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Even with a luxurious cast and an exceptionally serious topic, Rabbit Hole didn't leave any deeper traces in me. As a parent, I confirm that I don't know of a worse situation than losing a child, and as a movie viewer, I argue that I know plenty of films made more inventively and with better scripts. Overall impression: 60%.
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A very good and above all very intense drama. It’s not something for empathetic viewers, because for them it could upset their whole fragile world. Five superlatives for Kidman and Eckhart would be inadequate, but it's interesting how ideally Sandra Oh complements them in only the minimal space. At the end, I thought to myself that it's actually a very good game and it is indeed a game. I guess I've learned something after all. Formally, it had the same idea for an ending as Frankie and Johnny.
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El tema pertenece a los más dolorosos, por lo que nadie puede ver una película sobre este tema con facilidad. Por lo tanto, es fundamental cómo el director aborda el tema con sensibilidad y a qué actores les confía los papeles principales. John Cameron Mitchell me sorprendió gratamente, desde Shortbus hasta Králičí noře ha recorrido un largo camino. Nicole Kidman definitivamente merece una nominación al Óscar, Aaron Eckhart la apoya hábilmente. Puedo imaginarme todo esto como una obra de teatro, de la cual probablemente se basa la película.
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The film has a simple premise - a couple must come to terms with the loss of their young son in an accident. The subject matter is so simple that this could only stand on one thing - the performances. And they were fully utilized. I'm not saying the topic is simple, but it's not explicitly developed; it's the acting performances that make the film good.
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