Habemus Papa - El Psicoanalista del Papa
Habemus Papam
We Have a Pope
We Have a Pope
Director:
Nanni MorettiCámara:
Alessandro PesciMúsica:
Franco PiersantiReparto:
Michel Piccoli, Jerzy Stuhr, Renato Scarpa, Franco Graziosi, Camillo Milli, Ulrich von Dobschütz, Gianluca Gobbi, Nanni Moretti, Margherita Buy, Teco Celio (más)Sinopsis(1)
El recién elegido Papa sufre un ataque de pánico justo antes de aparecer en el balcón de San Pedro en el Vaticano para saludar a los fieles, que han esperado pacientemente la decisión del cónclave. Sus consejeros, incapaces de convencerle de que es el hombre adecuado para el trabajo, buscan la ayuda de un reconocido psicoanalista (y ateo). Sin embargo, el miedo a la responsabilidad que ha recaído sobre él es algo a lo que debe enfrentarse solo. (Vértigo Films Esp.)
(más)Reseñas (3)
I would have never expected that a film where the protagonists are old Cardinals lead by a newly elected Pope could be so much fun. A very big surprise from Italy that made me laugh more than once, I never got bored and I loved the ending. Less precise than The King’s Speech, but bolder and more progressive. Thumbs up.
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For the first 15 minutes there was slight distrust about what this kind dive into the coclave's life was supposed to be, then dozens of minutes of great fun, and finally a slap in the face in the form of a completely brilliant ending. The best thing about We Have a Pope is Moretti's self-reflection and messing with audience expectations - the film creates a number of banal situations that lead to clichés, but Moretti always avoids them at the right moment and turns in an unexpected direction. The ending is the pinnacle of this chain of disappointed expectations, and it clearly suggests that We Have a Pope is not a warm comedy, but a film that is caustic and skeptical. It seems that neither God nor Freud can save us anymore. In Egon Bondy's words: everything's fucked, on weekdays and on Sundays.
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The election of a pope is a very crucial matter for the entire Christian world. He is the highest authority, and although he is just an old man in funny clothes for atheists, for Christians, he is an absolute authority whose inauguration is literally a ceremony. Cardinals elect a new pope, and it is truly a suspenseful election, although we know about it more indirectly than being able to form an opinion about the candidates ourselves. But actually, it's not that important. What is important is that the pope is truly elected. However, when asked if he accepts his election, he hesitates. After a while, it seems like nothing is happening because the new pope agrees. Thus, there can be a solemn proclamation "Habemus papam!" on the balcony of St. Peter's Cathedral, where impatient believers are already waiting. The cheering is overwhelming, perhaps even more so than the chanting at football matches in the Italian highest league. However, the newly elected pope does not appear on the balcony. He escapes from the others, and experts need to be called in. The pope hesitates. He is unable to step forward in front of the believers and tell them that he is their new leader. Of course, after the Holy Trinity. It even goes so far that he runs away from his room and gets among the people. Out into the real world, where he contemplates his fate and what he should do next. I liked the movie because it reveals the destiny of a man who is actually quite ordinary at first glance. The character, who is put on a divine pedestal, is also just a human being, capable of hesitation. He too has psychological problems, suffers from uncertainty and fear. The film is comical at times, but it remains essentially a chamber story about someone who is one of us, although he thinks so only himself. More: http://www.filmovy-denik.cz/2012/09/expendables-2-cerna-venuse-mame-papeze.html
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