Misión Europa
Europa Report
Europa Report
Director:
Sebastián CorderoGuión:
Philip GelattCámara:
Enrique ChediakMúsica:
Bear McCrearyReparto:
Michael Nyqvist, Sharlto Copley, Embeth Davidtz, Christian Camargo, Daniel Wu Yin-cho, Anamaria Marinca, Karolina Wydra, Isiah Whitlock Jr., Dan FoglerSinopsis(1)
Seis de los mejores astronautas del mundo se embarcan en una ambiciosa misión: encontrar muestras de vida en Europa, la luna glacial de Júpiter. Cuando un fallo técnico provoca la muerte de un miembro del equipo descubren que no pueden comunicarse con la Tierra. Sin contacto con el exterior, deciden continuar su viaje hacia Júpiter, sin saber que lo más impredecible y aterrador de su expedición es lo que les espera en su destino. (Betta Pictures)
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Reseñas (7)
I like that the creators of sci-fi movies are not afraid to come up with new ideas lately. Europa Report does not break the boundaries with its originality, but it still contains a lot of messages that are worth thinking about. Add in the great international acting crew, filmmaking craft of a great quality, even though it is cheap, and you have a small-scale film about what might one day be pretty important events of humankind.
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A pedantically down-to-earth Prometheus with convincing behavior from all in this minimalist and incredibly orthodox sci-fi offering for genre connoisseurs. And one of the rare exceptions where the concept of found footage isn’t just a cheap trick hiding a low budget, but an integral component and one of the main building blocks of its effectiveness, which it also owes to the simple fact that it succeeds in creating the convincing illusion (I repeat, illusion, not real-life action) that “one day, when it happens, these people will behave exactly like this".
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A solid genre film that uses the B-movie found footage space horror schtick, but in addition to clichés, it also uses more serious themes and a more ambitious narrative structure. The film does it relatively cleverly and skillfully, although it cannot disguise the cheap props and scenery. The sentinel really didn't have to be there. Given that the creators have combined several of my big phobias, I rate this film quite positively. Catchy.
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Awesome thoroughbred sci-fi movie, the second this year that made me feel I was watching the adaptation of some classic novel (the first one was Oblivion). In addition to the very attractive premise and the good performances, it is very smartly put together with a mature use of the found-footage format – the interviews with characters and the jumps between different timelines generate false impressions, expectations and surprises. And none of the characters is an idiot, which also counts. For the fans of proper sci-fi who don’t need shiny visuals, space battles, explosions and loads of expensive effects, this is a must.
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This needed more. Either in terms of the budget and visuals, or a more inventive script and better character work, because after approximately 15 minutes, I came to the conclusion that I was watching a 2-star film, and until the final minutes, I didn't have to change anything about that realization. The film should either be a spectacle or have the ability to evoke strong emotions, none of which happened. Sebastián Cordero showed that sci-fi doesn't necessarily have to be made with huge investments, but that's about it. Overall impression: 40%.
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