No es más que el fin del mundo
Director:
Xavier DolanCámara:
André TurpinMúsica:
Gabriel YaredReparto:
Nathalie Baye, Vincent Cassel, Marion Cotillard, Léa Seydoux, Gaspard Ulliel, Antoine Desrochers, Arthur Couillard, Patricia Tulasne, Théodore Pellerin (más)Streaming (1)
Sinopsis(1)
Tras doce años de ausencia, un escritor regresa a su pueblo natal para anunciar a su familia que se está muriendo. A medida que el resentimiento reescribe el transcurso de la tarde, los conflictos se desatan alimentados por la duda y la soledad. Mientras, cualquier intento por empatizar se ve saboteado por la incapacidad de las personas para escuchar y amar. (Avalon Audiovisual Esp.)
(más)Videos (6)
Reseñas (5)
Una visita rápida a una familia con relaciones «ligeramente» complicadas. El monótono Ulliel, la mirada cautivadora de Marion Cotillard, el psicópata Cassel y otro outro musicalmente efectivo, esta vez de Moby. Una pieza emocional, fuerte en seguir detalles psicológicos, pero incapaz de contar sobre los personajes lo esencial de su historia. [Cannes]
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With this conversational film, I once again reminded myself after a long time how Xavier Dolan's work can get under my skin. It is a powerful family drama about old wrongs and the inability to listen to each other, about the sadness deep inside each of us... Brilliantly shot, perhaps even better acted, and all framed by just the right amount of evocative music. The final image, accompanied by Moby's hit song, is a bitter conclusion to everything left unspoken, simmering beneath the surface the whole time. (85%)
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It could have been an interesting drama about self-discovery, finding a way back to family, and above all, realizing one's life, which should slowly come to an end. However, where films like Fences or Manchester by the Sea manage to blend seemingly mundane dialogues with engaging narratives, this film failed to do so.
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An spatiotemporally intimate drama from the life of a seemingly dysfunctional family that is unable to communicate properly with each other without insults and harsh words. Xavier Dolan's family conversational drama impresses with its audiovisual treatment based on a multitude of close-ups and an unmistakable musical score. What bothered me most about the film were the empty and at times forced dialogues, which, although they tell about the nature of each character, were not strong enough to engage and convince me. Talking about impending death is not a common topic of conversation, but in this case, this uneasy matter was overshadowed by a hysterical rush of emotion that mercilessly obscured the initial idea.
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51st KVIFF - I believed it would be to the last moment before the screening, but no. A masterful circus on wheels.
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