Sinopsis(1)

A finales de la 1ª Guerra Mundial, Klaus Schneider se recupera de sus heridas en un hospital. El doctor que le atiende descubre que se halla especialmente dotado para la hipnosis y la adivinación y le ayuda a desarrollar estos poderes. Años más tarde, Klaus se traslada a Berlín, cambia su nombre por Hanussen, y ejerce de adivino e hipnotizador. Ya establecido, predice el auge y el trágico fin del tercer Reich, lo cual le pone en peligro ante los poderosos nazis. (Araba Films)

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Reseñas (2)

gudaulin 

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inglés Hanussen is the third film of a loose trilogy - it was preceded by the films Mephisto and Colonel Redl. I have a feeling that the essential aspects have already been covered by István Szabó in his previous works, and in Hanussen, it to a large extent just repeats itself. Brandauer is still great, but the screenplay is, from my point of view, slightly weaker. Perhaps it is also because I have thoroughly explored the era of the rise of fascism through other films, and the screenplay deviates from the real fate of the well-known clairvoyant in a difficult-to-digest way for me. Overall impression: 65%. ()

NinadeL 

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inglés As the culmination of Szabó-Brandauer's loose trilogy, Hanussen brings together the Austro-Hungarian period and the Third Reich in an arc. Given the time period that it is about and the way the film is told, the film version of Hanussen is quite ideal for me. Post-war decadence in its heyday and its subsequent displacement by new aesthetic criteria never ceases to fascinate me. Brandauer is now also surrounded by more interesting faces, such as György Cserhalmi or Jiří Adamíra, which ensures that this is not just another Brandauer solo. In the end, the mysterious haze that shrouds the real Moravian Jew Hermann Steinschneider (1888-1933) provides the greatest opportunity for dreamlike experiences. ()