Sinopsis(1)
Una película colectiva que consigue poner a Godard (nada más y nada menos) a "jugar" con el 3D, oportunidad que el suizo aprovecha para filmar lo que podría ser una apasionante continuación tridimensional de su Histoire(s) du Cinéma. Un viaje autoral que se completa con un episodio firmado por Greenaway, que cual el Sokurov de El arca rusa nos lleva en largos travellings a través de templos y catedrales majestuosas, y la aportación de Edgar Pêra. (Seville European Film Festival)
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Peter Greenaway is very insightfully introduced first in the film because otherwise, this segment could effectively spoil the overall impression. The comparison to a children's PowerPoint presentation is absolutely accurate. I imagine that in the future, cheap museum tours or informational videos will be processed in such a way. It's better to quickly forget about it. Edgar Pêra – a quite playful and at times funny metaphor of the development of the film taking place in a single movie theater. In my opinion, it clearly stands against the trend of laziness, consumerism, and false dreams that cinema has embarked on after the invention of sound film and culminating in the emerging 3D technology. Jean-Luc Godard - the obvious visual and conceptual peak of the film ("save the best for last"), a work reminiscent of his other works (and directly referencing them several times), at times feeling like a sequence from Histoire(s) du cinéma performed in 3D. The possibility of seeing typical Godard intertitles in the format of the future will fill film lovers of the New Wave with more than one sentimental feeling. [Parallax 2014]
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Foto © Ciant
