El juez

La sala del tribunal y el incidente tratado en ella son solo una tapadera para el drama familiar en el que Robert Jr., el señor de la gran ciudad, renueva la relación con una familia provinciana, encabezada por Robert Sr. Por lo tanto, no se puede comparar con las películas sobre juicios y abogados como Tiempo de matar o Legítima defensa. El juez está a medio camino entre ellas y la sentimental La habitación de Marvin. Ambos Robertos actúan muy bien. El personaje del júnior le queda perfecto a Downey Jr. y Duvall interpreta el suyo brillantemente. Sin embargo, algunos personajes secundarios (la sexy hija de Vera Farmiga, el abogado sin experiencia, Dax Shepard) ralentizan la película innecesariamente. No tienen suficiente importancia en la historia y solo interrumpen el desarrollo de una relación hijo/padre complicada y clave para la película. Por otro lado, el interesante abogado de Bill Bob Thornton podría haber jugado un papel más importante en ella. La música una vez innovadora y sublime de Thomas Newman (Frank Darabont, Sam Mendes) se está convirtiendo en un sinónimo absoluto de como «acariciar el alma» a la audiencia consumidora. En lo que al final El juez se convierte también. Buena película, pero el grupo de cineastas detrás de ella es capaz de hacer películas superiores. (29.10.2014)

The only thing this film can offer is good acting. Everything else just undermines it. Firstly, it tells a story about judges and for the most part it takes place in the courtroom. Which doesn’t have to be a drawback in itself, had it been well made. There is only one real courtroom moment, but it’s only at the end of the movie – it represents its climax and is also the only good moment this movie has. Secondly, a huge issue with this movie lies in its running time, which is too long given how little happens in there. Already in the first fifteen minutes you’ll understand the situation and how it will develop. Then it all, surprisingly, happens exactly as it would in real life and the audience has no choice but to wait for the ending. The ending is fortunately really good and shows the acting qualities of Robert Downey Jr., Robert Duvall and Billy Bob Thornton. Unfortunately, you have to suffer a hundred minutes of boredom to see this. (08.02.2015)

Very good oscillation between a court process and a family drama about establishing a relationship between small town people and city dwellers – portrayed in a graspable and clear enough way, even for the average viewer. You won’t get bored in court and will the family scenes because their timing scenes is great, and you will fully enjoy those few rough peaks of the story. It's a shame about the irrelevant script deviations (the supporting characters), the slightly excessive much sentimentality at the end, and Billy Bob Thornton's unused potential, because his first scene in gives you goosebumps (yes, that scene with the folding glass). Nevertheless, the film achieves the main thing it was supposed to achieve. It's believable, sober, and true to life. Brilliant performances. (21.02.2015)

A very, very long film, completely unnecessarily so. Although at first glance it would seem that there are a lot of characters to tell a story about, the opposite is true and it's still all about the father and son, with the others being more or less just unnecessary or unused ornaments (Billy Bob Thornton in particular). In addition, I saw The Judge in a failed Czech version, with Robert Duvall speaking to me in the completely inappropriate voice of Jiří Štěpnička (who, unlike his fellow "dubbers", at least tried to act). Two and a half. (23.03.2015)

The Judge is a quality film that deals mostly with real emotions and is adorned with truly brilliant performances that make it as smooth to watch as the aerial pirouettes of pink elephants after taking LSD, but with the arrival of the closing credits, it leaves us with the feeling that this unique creative line-up deserved something more than this kind of easygoing filmmaking. Downey's scatterbrained egotistical character is irresistible, but unfortunately he represents the only rebellious and prominent element in an otherwise precisely measured process where the fates of the supporting players are irrelevant, while the development of the dramatic relationship between the two central characters sets a cinematic precedent. Duvall gives a terrific performance, of course, but Downey is the one that’s more visible and adds more juice to the story. Everything proceeds and ends as it should, but the forcibly pushed twist with the label "family above all" just doesn’t fit into the overall context full of heartless judgments, remorse and generational disputes. Or maybe it manipulates the witnesses quite blatantly. 70% (20.02.2015)

El Juez es una película familiar prácticamente terapéutica, justo en el límite del drama convencional y del thriller agradable para el público, que se adaptará a la mayoría de las audiencias gracias a su reparto estelar y al cuidado general de la realización. No hay mucho que reprocharle, y solo puedo preguntarme cuánto de diferente habría sonado la película sin el «animador» Robert Downey Jr. en el papel principal, por lo que la satisfacción prevalece para mí después del primer visionado. También podría verlo como un sólido drama a una escala mucho menor de lo que finalmente pretendía ser, pero entiendo que ahuyentaría la mayoría de los espectadores. (20.01.2022)

When I actually realize what the movie was about (arrogant big city lawyer returns to his armpit of a hometown to reminisce and bring closure to some of the stages of his awkward youth, mend his relationship with his family, and ultimately defend his father, through which he finds his way to him), I suddenly realize what a horribly murderous 140 minutes it could have been. Except that The Judge has one big notch, and that's Robert Downey Jr. playing Tony Stark again, except with an R-rating so he can swear like a heathen. Besides, his coked-up, neurotic posing, I confess, has never ceased to amuse me. However, I had the feeling all along that the pair of writers were blatantly fighting with each other during the writing process. They often tackle the old American family drama standards, but they take a slightly different approach and sometimes cleverly help themselves in quite original ways, as in the scene of Downey and Duvall arguing over a childhood scrape, which might not have worked so intensely if a hurricane hadn't raged by. On the other hand, again, some of the characters (most often the young lawyer) are in the film to comment on the obvious, and thus advise the viewer. Anyway, Duvall will not be up for an Oscar. (10.02.2015)

Besides the fact that I like movies that deal with relationships between characters you can fall in love with, I also appreciate the fact that in the case of "The Judge", it is an excellent combination of drama and humor. It is not slapstick humor directly, but some scenes are appropriately lighthearted, just like the plot is lightened by some characters. And yet, it remains sufficiently believable. (12.01.2015)